Arts and Creative Industries
Type | School |
---|---|
University | London South Bank University |
Dean | Dr Natalie Garrett Brown |
Associate Dean Research and Enterprise | Dr Elena Marchevska |
Latest research outputs
Curating the Photographic Image in Networked Culture
Dewdney, A (2014). Curating the Photographic Image in Networked Culture. Kraesj! Brytninger i fotoarkivet. Oslo, Norway 05 - 06 May 2014 Olso, Norway Kulturradet (Arts Council Norway).Conference item
Dancing in the Technoculture
Rietveld, HC (2018). Dancing in the Technoculture. in: Emmerson, S (ed.) The Routledge Research Companion to Electronic Music: Reaching Out With Technology New York (USA) and London Routledge. pp. 113-134Book chapter
Dancing with dirt and wires; reconciling the embodied and the digital in site responsive collaborative practice
Garrett Brown, N., Kipp, C. and Voris, N. (2015). Dancing with dirt and wires; reconciling the embodied and the digital in site responsive collaborative practice. in: Causey, M., Meehan, E. and O'Dwyer, N. (ed.) The Performing Subject in the Space of Technology: Through the Virtual, Towards the Real Palgrave Macmillan. pp. 174-186Book chapter
Dane Law & Chants - Gurum Triads
Parkinson, A. (2023). Dane Law & Chants - Gurum Triads. London The Trilogy Tapes.Composition
Dane Law - Blue Forty-Six
Parkinson, A. (2022). Dane Law - Blue Forty-Six. London Blue Tapes and X-Ray Records.Composition
Dane Law - Summer's End (Lift Me Up)
Parkinson, A. (2022). Dane Law - Summer's End (Lift Me Up). Los Angeles, California Astral Plane Recordings.Composition
Dane Law - Terrapins
Parkinson, A. (2020). Dane Law - Terrapins.Composition
Dane Law live at Boundaries Festival
Parkinson, A. (2022). Dane Law live at Boundaries Festival. The Firestation, Sunderland, SR1 3HA 17 - 18 Jun 2022Performance
Dane Law live at Iklectik
Parkinson, A. (2022). Dane Law live at Iklectik.Performance
Daring to tilt worlds: the fiction of Irenosen Okojie.
Scafe, S. (2021). Daring to tilt worlds: the fiction of Irenosen Okojie. in: Women Writers and Experimental Narrative Palgrave Macmillan. pp. 1-12Book chapter
Datafication, Fluidity, and Organisational Change: Towards A Universal ‘PSM 3.0’
Jackson, L. (2020). Datafication, Fluidity, and Organisational Change: Towards A Universal ‘PSM 3.0’. in: Medina, M., Savage, P. and Lowe, G.F. (ed.) Universalism in Public Service Media Gothenburg Nordicom.Book chapter
Datafied Research - Editorial
Andersen, C.U. and Cox, G. (2015). Datafied Research - Editorial. APRJA. 4 (1).Journal article
David Bomberg (1890–1957) and the Borough: A different class
Betsworth, LG (2016). David Bomberg (1890–1957) and the Borough: A different class. The British Art Journal: the research journal of British art studies. 17 (2), pp. 52 - 57.Journal article
Decolonising Cinematography Education: Experimenting with Lighting Ratios and Textures for Black and Asian Skin Tones
Sung, Y. (2022). Decolonising Cinematography Education: Experimenting with Lighting Ratios and Textures for Black and Asian Skin Tones . Film Education Journal. 5 (2), pp. 114-135. https://doi.org/10.14324/FEJ.05.2.05Journal article
Deep Flow: a tentacular worlding of dance, biosensor technology, lived experience and embodied materials of the human and non-humankind
Ginslov, J. (2021). Deep Flow: a tentacular worlding of dance, biosensor technology, lived experience and embodied materials of the human and non-humankind. PhD Thesis https://doi.org/10.18744/lsbu.93xzvPhD Thesis
DEEP FLOW: an embodied materiality of dance, technology, and bodily experience
Ginslov, J. (2022). DEEP FLOW: an embodied materiality of dance, technology, and bodily experience. Body, Space & Technology. 21 (1). https://doi.org/10.16995/bst.8118Journal article
Deep Subjectivity and Empathy in Virtual Reality: A Case Study on the Autism TMI Virtual Reality Experience
Weinel, J, Cunningham, S and Pickles, J (2019). Deep Subjectivity and Empathy in Virtual Reality: A Case Study on the Autism TMI Virtual Reality Experience. in: Filimowicz, M and Tzankova, V (ed.) New Directions in Third Wave HCI Springer.Book chapter
Deferred Heritage: digital renderings of sites of future knowledge production.
Brown, A. (2022). Deferred Heritage: digital renderings of sites of future knowledge production. in: Melhuish, C. and Benesch, H. (ed.) Co-curating the City: Universities and Urban Heritage Past and Future London UCL Press.Book chapter
Degraded Capability: The Media and the Kosovo Crisis
Hammond, P. and Herman, E.S. (ed.) (2000). Degraded Capability: The Media and the Kosovo Crisis . London Pluto Press.Book
Designing an 'Immersive' Story Environment: Racism and the Sonic Representation of the Stephen Lawrence Murder
Aziz, T. (2019). Designing an 'Immersive' Story Environment: Racism and the Sonic Representation of the Stephen Lawrence Murder. DIGICOM: International Conference on Design and Digital Communication. Barcelos, Portugal 15 - 16 Nov 2019Conference paper
Designing Game Audio Based on Avatar-Centred Subjectivity
Weinel, J and Cunningham, S (2019). Designing Game Audio Based on Avatar-Centred Subjectivity. in: Filimowicz, M (ed.) Foundations in Sound Design for Interactive Media Routledge.Book chapter
Detroit: Techno City
Rietveld, HC and Kolioulis, A (2018). Detroit: Techno City. in: Lashua, B, Wagg, S, Spracklen, K and Yavuz, MS (ed.) Sounds and the City: Volume 2 New York (USA), London (UK), Zug (Switzerland) Palgrave Macmillan.Book chapter
Diagramming Aesthetic Programming
Cox, G. and Soon, W. (2021). Diagramming Aesthetic Programming. Dipoli Gallery, Aalto University, Helsinki, Finland 14 Feb 2022Exhibition
Diffractive Dramaturgy: A Performance Practice for Complicated Times
Lee, J. (2020). Diffractive Dramaturgy: A Performance Practice for Complicated Times. Performance Research: a journal of the performing arts. 25 (5), pp. 114-121. https://doi.org/10.1080/13528165.2020.1868853Journal article
Digital Affect and the Microbiological in Maxì Dejoie’s The Gerber Syndrome: il contagio and Alex Infascelli’s H2Odio
Domizio, R. (2020). Digital Affect and the Microbiological in Maxì Dejoie’s The Gerber Syndrome: il contagio and Alex Infascelli’s H2Odio. Simultanea: Journal of Italian Media and Popular Culture.Journal article
Digital Bodies: Creativity and Technology in the Arts and Humanities
Marchevska, E. (2019). Digital Bodies: Creativity and Technology in the Arts and Humanities. International Journal of Performance Arts and Digital Media. pp. 375-376. https://doi.org/10.1080/14794713.2019.1667732Journal article
Digital Futures: Exhibits at EVA London 2018.
Papadimitriou, I and Bowen, J. (2018). Digital Futures: Exhibits at EVA London 2018. Bowen, Jonathan P, Weinel, Jonathan, Diprose, Graham and Lambert, Nick (ed.) Electronic Visualisation and the Arts (EVA) conference. London, UK 09 - 13 Jul 2018 BCS.Conference paper
Digital Musical Instruments as Probes: How Computation Changes the Mode-of-Being of Musical Instruments
Parkinson, A., Tahirglu, K., Magnusson, T., Garrelfs, I. and Tanaka, A. (2020). Digital Musical Instruments as Probes: How Computation Changes the Mode-of-Being of Musical Instruments. Organised Sound. 25 (1), pp. 64-74. https://doi.org/10.1017/S1355771819000475Journal article
Digital Tate: the use of video and the construction of audiences
Zouli, I (2018). Digital Tate: the use of video and the construction of audiences. PhD Thesis London South Bank University School of Arts and Creative Industries https://doi.org/10.18744/PUB.002751PhD Thesis
Digitized Direct Animation: Creating Materials for Electroacoustic Visual Music Using 8mm Film
Weinel, J and Cunningham, S (2014). Digitized Direct Animation: Creating Materials for Electroacoustic Visual Music Using 8mm Film. eContact. 15 (4).Journal article
Disorientation and emergent subjectivity: The political potentiality of embodied encounter
Garrett Brown, N. (2012). Disorientation and emergent subjectivity: The political potentiality of embodied encounter. Journal of Dance & Somatic Practices. 3 (1-2), pp. 61-73. https://doi.org/10.1386/jdsp.3.1-2.61_1Journal article
Disrupting Business: art and activism in times of financial crisis
Cox, G and Bazzichelli, T (2013). Disrupting Business: art and activism in times of financial crisis. New York Autonomedia.Book
Distance
McSweeney, A (2018). Distance. Playdead Press.Book
Easter Eggs: Hidden Tracks and Messages in Musical Mediums
Weinel, J, Griffiths, D and Cunningham, S (2014). Easter Eggs: Hidden Tracks and Messages in Musical Mediums. Joint Conference ICMC-SMC 2014. Athens, Greece 14 - 20 Sep 2014 International Computer Music Association.Conference paper
Echo
Rietveld, HC and Henriques, J (2018). Echo. in: Bull, M (ed.) The Routledge Companion to Sound Studies New York and London: Routledge New York (USA) and London Routledge.Book chapter
Echoes from the Dub Diaspora
van Veen, TC, Rietveld, HC, Vendryes, T, Ramstedt, K, Harries, JV, Kolioulis, A, Zuberi, N, Christodoulou, C, Partridge, C and MacLeod, EC (2015). Echoes from the Dub Diaspora. Dancecult : Journal of Electronic Dance Music Culture. 7 (2). https://doi.org/10.12801/1947-5403.2015.07.02Journal article
Eco-Apocalypse: Environmentalism, Political Alienation, and Therapeutic Agency
Ortega Breton, H and Hammond, P (2016). Eco-Apocalypse: Environmentalism, Political Alienation, and Therapeutic Agency. in: Ritzenhoff, K and Krewani, A (ed.) The Apocalypse in Film: Dystopias, Disasters, and Other Visions about the End of the World Rowman & Littlefield Publishers. pp. 105-116Book chapter
Editorial Introduction: Synergies Between Game Music and Electronic Dance Music in Cultural Context
Fritsch, M. and Rietveld, H. C. (2023). Editorial Introduction: Synergies Between Game Music and Electronic Dance Music in Cultural Context. Journal of Sound and Music in Video Games. 4 (1), pp. 1-8. https://doi.org//10.1525/jsmg.2023.4.1.1Journal article
Editorial: How To Refuse Research from The Ruins of Its Own Production
Cox, G. (2021). Editorial: How To Refuse Research from The Ruins of Its Own Production . APRJA. 10 (1), pp. 4-13. https://doi.org/10.7146/aprja.v10i1.128183Journal article
Editorial: Rendering Research
Cox, G. Editorial: Rendering Research. APRJA. 11 (1), pp. 4-8. https://doi.org//10.7146/aprja.v11i1.134302Journal article
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