Dane Law - Summer's End (Lift Me Up)

Composition


Parkinson, A. (2022). Dane Law - Summer's End (Lift Me Up). Los Angeles, California Astral Plane Recordings.
CreatorsParkinson, A.
Description

A granular reworking of a rave classic created using software I have developed for live algorithmic improvisation. Part of the ongoing Dane Law project which explores the musical affordances of the laptop, and ways of re-presenting and reworking our collective musical past.

This was created for Astral Plane Recordings for their Astraltopia compilation. Astraltopia is the third and final compilation in the Topia series, as well as the terminal release in the Astral Plane Recordings catalog. Astraltopia traverses outgrowths of past label releases, novel sonic formulations and the infra-zones between and underneath extant club sounds. Accompanied by artwork from Sam Meier and mastering by Will Mitchell, the compilation follows 2012’s Heterotopia and 2015’s Psychotropia, both of which preceded the formal inauguration of Astral Plane Recordings. Also includes contributions from Alis, Amazondotcom, CHANTS, LOFT, Maral, MICHAELBRAILEY (with Iceboy Violet), nunu and SHALT.

Keywordscomputer music granular synthesis sound art
Date26 Apr 2022
Files
Image credit
Sam Meier
Media type
Audio
File Access Level
Open
Place of publicationLos Angeles, California
Web address (URL)https://astralplanerecordings.bandcamp.com/album/astraltopia
Publication process dates
Deposited04 Jul 2022
Permalink -

https://openresearch.lsbu.ac.uk/item/91272

Download files


Files
  • 23
    total views
  • 1
    total downloads
  • 2
    views this month
  • 0
    downloads this month

Export as

Related outputs

Dane Law - Terrapins
Parkinson, A. (2020). Dane Law - Terrapins.
Algorithmic Music for Synthesised Strings
Parkinson, A. (2020). Algorithmic Music for Synthesised Strings. Los Angeles, California Astral Plane Recordings.
Digital Musical Instruments as Probes: How Computation Changes the Mode-of-Being of Musical Instruments
Parkinson, A., Tahirglu, K., Magnusson, T., Garrelfs, I. and Tanaka, A. (2020). Digital Musical Instruments as Probes: How Computation Changes the Mode-of-Being of Musical Instruments. Organised Sound. 25 (1), pp. 64-74. https://doi.org/10.1017/S1355771819000475
Unfinished business: a conversation on sound art in the united kingdom
Parkinson, A, Toop, D and Tanaka, A (2020). Unfinished business: a conversation on sound art in the united kingdom. in: Weibel, P (ed.) Sound Art: Sound as a Medium of Art MIT Press.
The problems with participation
Parkinson, A and Tanaka, A (2018). The problems with participation. in: Emmerson, S (ed.) The Routledge research companion to electronic music : reaching out with technology Oxon Routledge.
Audio-haptic interfaces for digital audio workstations
Metatla, O., Martin, F., Parkinson, A., Bryan-Kinns, N., Stockman, T. and Tanaka, A. (2016). Audio-haptic interfaces for digital audio workstations. Journal on Multimodal User Interfaces. 10 (3), pp. 247-258. https://doi.org/10.1007/s12193-016-0217-8
Haptic Wave
Tanaka, A. and Parkinson, A. (2016). Haptic Wave. CHI'16: CHI Conference on Human Factors in Computing Systems. ACM. https://doi.org/10.1145/2858036.2858304