DEEP FLOW: an embodied materiality of dance, technology, and bodily experience

Journal article

Ginslov, J. (2022). DEEP FLOW: an embodied materiality of dance, technology, and bodily experience. Body, Space & Technology. 21 (1). https://doi.org/10.16995/bst.8118
AuthorsGinslov, J.
AbstractIn this research article, I argue that Deep Flow is an embodied materiality that may be experienced by exploring performative phenomenologies, entwining two different sets of research practice: phenomenological methodologies and artistic practice. In Deep Flow the practitioner entangles phenomenological methodologies, methods and research practices performatively such as embodied dance practice, the felt senses, drawings, verbal feedback and their analyses in relation to biometric data, from an embodied heart rate monitor. By looking inwardly, the practitioner experiences embodied phenomena and reveals these experiences in artistic practices in relation to the worlding in which they find themselves. These outcomes are considered as being differing materialities, flowing and converging through relational and phenomenological practice, Deep Flow and through this they become embodied by the practitioner, where new forms of embodied materialities emerge. I argue that in my practice, this is an experiential state, Deep Flow, where all human and non-human elements of the dance practice flow and course through the practitioner as an embodied materiality.
KeywordsComputer Graphics and Computer-Aided Design; Human-Computer Interaction; Arts and Humanities (miscellaneous)
Year2022
JournalBody, Space & Technology
Journal citation21 (1)
PublisherOpen Library of Humanities
ISSN1470-9120
Digital Object Identifier (DOI)https://doi.org/10.16995/bst.8118
Publication dates
Online14 Feb 2022
Publication process dates
Accepted07 Jan 2022
Deposited18 Feb 2022
Publisher's version
License
File Access Level
Open
Permalink -

https://openresearch.lsbu.ac.uk/item/8z56v

Download files

Publisher's version
bst-8118-ginslov.pdf
License: CC BY 4.0
File access level: Open

  • 107
    total views
  • 75
    total downloads
  • 1
    views this month
  • 0
    downloads this month

Export as

Related outputs

Deep Flow: a tentacular worlding of dance, biosensor technology, lived experience and embodied materials of the human and non-humankind
Ginslov, J. (2021). Deep Flow: a tentacular worlding of dance, biosensor technology, lived experience and embodied materials of the human and non-humankind. PhD Thesis https://doi.org/10.18744/lsbu.93xzv
“tentacular worlding” an assemblage of dance, technology and lived experience through embodied relational biofeedback and materials of the human and non-humankind.
Ginslov, J. (2019). “tentacular worlding” an assemblage of dance, technology and lived experience through embodied relational biofeedback and materials of the human and non-humankind. 'On the Notion of Practice' . Dansehallerne Copenhagen 08 - 10 May 2019
Reflecting on the Experience the Self in the Smart City
Ginslov, J. and Spikol, D. (2019). Reflecting on the Experience the Self in the Smart City. Symposium on Digital Urbanism. Blekinge Institute of Technology, Campus Karlshamn, Sweden 14 - 15 Nov 2019
Conspiracy Archives a process archive of an archival process
Ginslov, J., Kozel, S., Guðjónsdóttir, M.S. and Lim, K. (2019). Conspiracy Archives a process archive of an archival process. Researching (in/as) Motion. 10.
The Poetics of Temporal Scaffolding and Porosity: Sharing Affect and Memory
Ginslov, J. The Poetics of Temporal Scaffolding and Porosity: Sharing Affect and Memory. Technological Poetics in the Performing Arts in Repertoire Magazine. 20 (28). https://doi.org/10.9771/r.v0i28.25008
Temporal Scaffolding: A Collaborative and Networked Infrastructure of Techne, Screendance, AR, Affect, Audiences and Smart Mobile Devices in the Project AffeXity
Ginslov, J. (2016). Temporal Scaffolding: A Collaborative and Networked Infrastructure of Techne, Screendance, AR, Affect, Audiences and Smart Mobile Devices in the Project AffeXity . in: Intersecting Art and Technology in Practice. Techne/Technique /Technology. New York Routledge (Taylor & Francis Group). pp. 112-127