Film and Media
Type | Division |
---|---|
School | Arts and Creative Industries |
Latest research outputs
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Modelling Cultural Value within New Media Cultures and Networked Participation
Walsh, V, Dewdney, A, Pringle, E, Tate, AHRC and LSBU (2014). Modelling Cultural Value within New Media Cultures and Networked Participation. Tate Royal College of Art/AHRC/Tate.Project report
Montage in the Portrait Film: Where Does the Hidden Time Lie?
Tarrant, PA (2013). Montage in the Portrait Film: Where Does the Hidden Time Lie? Alphaville : Journal of Film and Screen Media.Journal article
Most and Least of Research Value/s - Editorial
Cox, Geoff and Andersen, Christian Ulrik (2018). Most and Least of Research Value/s - Editorial. APRJA. 7 (1).Journal article
Mother's Day
Brown, L. (2014). Mother's Day. Sightlines: Filmmaking in the Academy conference. Melbourne 24 - 25 Nov 2014Conference paper
msdm publications
paula roush msdm publications. LondonDigital or visual media
Museums, Scholarly Enterprise and Global Assemblages: A Response to ‘Artifacts and Allegiances: How Museums Put the Nation and the World on Display’
Dewdney, A (2016). Museums, Scholarly Enterprise and Global Assemblages: A Response to ‘Artifacts and Allegiances: How Museums Put the Nation and the World on Display’. Identities: Global Studies in Culture and Power. 24 (1), pp. 6-12. https://doi.org/10.1080/1070289X.2016.1260021Journal article
Not Just for Fun
Cox, G. and McLean, A. (2014). Not Just for Fun. in: Goriunova, Ol. (ed.) Fun and Software: Exploring Pleasure, Pain and Paradox in Computing London Bloomsbury Academic. pp. 157-173Book chapter
Notes on 120 days of *buntu
Cox, G. (2012). Notes on 120 days of *buntu. in: Vasiliev, D. and Savicic, G. (ed.) 120 days of *buntu Beaver Press. pp. 10-11Book chapter
Notes on the Type, Time, Letters & Spirits
Sinister, D. Cox, G. and Lund, J. (ed.) (2017). Notes on the Type, Time, Letters & Spirits. Berlin Sternberg Press.Book
Nouns of Assembly
Terrill, S (2016). Nouns of Assembly.Exhibition
Nyhedsavisen: Public Interfaces
Cox, G. (2011). Nyhedsavisen: Public Interfaces. 1.Journal article
Occupying Public Networks
Cox, G. and Krysa, J. (2014). Occupying Public Networks. in: Mróz-Grygierowska, M. and Ekstrand, T. (ed.) Art Line Karlskrona Blekinge County Museum. pp. 182-184Book chapter
On Writing a Literary History of the Contemporary: or What is, or was, “the Contemporary,” and should we keep calling it that?
Hutton, M-A. Cox, G. and Lund, J. (ed.) (2018). On Writing a Literary History of the Contemporary: or What is, or was, “the Contemporary,” and should we keep calling it that? Berlin Sternberg Press.Book
Orphan Editions
paula roush Orphan Editions .Digital or visual media
Panel: Individual and/versus social creativity
Edmonds, E, Candy, L, Cox, G, Eisenstein, J, Fischer, G, Hughes, B and Hewett, T (1999). Panel: Individual and/versus social creativity. Proceedings of the 3rd Conference on Creativity and Cognition, C and C 1999.Journal article
Paradoxical Values of Running Code / Paradoksalne wartosci kodu
Cox, G. (2014). Paradoxical Values of Running Code / Paradoksalne wartosci kodu. in: Krajewski, P. and Kutlubasis-Krajewska, V. (ed.) Pioneering Values WRO Foundation for Media Art. pp. 41-113Book chapter
Parallel (of Life and) Architecture: The Ostrich and the Kipper
Terrill, S (2017). Parallel (of Life and) Architecture: The Ostrich and the Kipper.Exhibition
Photobooks as sequential archives: Researching photobook publishing through integration of photographic and book art practices
paula roush (2020). Photobooks as sequential archives: Researching photobook publishing through integration of photographic and book art practices. msdm publications. https://doi.org/10.18744/lsbu.899y9Portfolio
Photography Remoulded
Dewdney, A (2018). Photography Remoulded. New Formations: A Journal of Culture, Theory, Politics. 94, pp. 166-170.Journal article
Post Photography Prototyping Prize 2018
Brown, Adam, Iseli, Tabea and Warburton, Alan Post Photography Prototyping Prize 2018.Exhibition
Post-Digital Research - Editorial
Andersen, C.U. and Cox, G. (2014). Post-Digital Research - Editorial. APRJA. 3 (1).Journal article
Postscript on the Post-digital and the Problem of Temporality
Cox, G (2015). Postscript on the Post-digital and the Problem of Temporality. in: Dieter, M. and Berry, D. M. (ed.) Postdigital Aesthetics: Art, Computation and Design London Palgrave Macmillan. pp. 151-162Book chapter
Praxis de la programmation: reconsidérer L’esthétique do code généneratif
Cox, G., McLean, A. and Ward, A. (2011). Praxis de la programmation: reconsidérer L’esthétique do code généneratif. in: Lartigaud, D-O. (ed.) Art++ HYX Editions.Book chapter
Prehistories of the Post-digital: or, some old problems with post-anything
Cox, Geoff (2014). Prehistories of the Post-digital: or, some old problems with post-anything. APRJA. 3 (1), pp. 71-75. https://doi.org/10.7146/aprja.v3i1.116087Journal article
Radio Buncefield at Punto de Fuga
Brown, A (2015). Radio Buncefield at Punto de Fuga. Punto de Fuga, Paris, France 12 2015 - 16 Nov 2016Exhibition
Re-mapping women's testimonies into networked subjectivities: The Quipu Project
Maraschin, D and Scafe, S (2016). Re-mapping women's testimonies into networked subjectivities: The Quipu Project. in: Takhar, Shaminder (ed.) Gender and Race Matter: Global Perspectives on Being a Woman Emerald.Book chapter
Reading the Light Right: The Exposure of Asian Skin Tones in Cinematography
Sung, Y (2020). Reading the Light Right: The Exposure of Asian Skin Tones in Cinematography. Frames Cinema Journal. 17. https://doi.org/10.15664/fcj.v0i17.2075Journal article
Reading the morphology of Ben Rivers’s chemical landscapes
Tarrant, PA (2016). Reading the morphology of Ben Rivers’s chemical landscapes. Moving Image Review & Art Journal (MIRAJ). 5 (1-2), pp. 58 - 69 (11). https://doi.org/10.1386/miraj.5.1-2.58_1Journal article
Real-time for Pirate Cinema
Cox, Geoff Janša, J. (ed.) (2015). Real-time for Pirate Cinema. Aksioma.Book
Recognising and addressing unconscious bias and structural inequalities
Brown, L., Davies, R. and Oyebanjo, F. (2022). Recognising and addressing unconscious bias and structural inequalities. Alphaville : Journal of Film and Screen Media. https://doi.org/10.33178/alpha.24.06Journal article
Researching BWPWAP: how can we save research from itself?
Andersen, C.U., Cox, G., Bazzichelli, T., Gansing, K. and Beverungen, A. (2013). Researching BWPWAP: how can we save research from itself? A Peer-Reviewed Journal About. 2, pp. 1-2.Journal article
RuntimeException(): Critique of Software Violence
Cox, G (2018). RuntimeException(): Critique of Software Violence. in: Tyzlik-Carver, M, Pritchard, H and Snodgrass, E (ed.) Executing Practices London Open Humanities Press. pp. 55-68Book chapter
Script Development on Unscripted Television: Grand Designs & The Spectacle of the Reveal
Brown, L. (2021). Script Development on Unscripted Television: Grand Designs & The Spectacle of the Reveal. in: Taylor, S. & Batty, C. (ed.) The Palgrave Handbook of Script Development Palgrave Macmillan. pp. 71-86Book chapter
Simon Terrill: Crowd Theory 2004-18, Perspectives, Notes and Comments
Palmer, D, Minton, A, Faust, C, Fite-Wassilak, C, Mulvey, M and Terrill, S. (2019). Simon Terrill: Crowd Theory 2004-18, Perspectives, Notes and Comments. Centre For Contemporary Photography.Book
Simon Terrill: Crowd Theory Survey Exhibition
Terrill, S (2019). Simon Terrill: Crowd Theory Survey Exhibition.Exhibition
Sound and Cinema: Past, Present and Future
Brown, L. (2020). Sound and Cinema: Past, Present and Future. London 22 Jan - 13 Feb 2020Exhibition
Sources of inspiration: from the monument tothe ordinary
Terrill, S (2017). Sources of inspiration: from the monument tothe ordinary. Alison and Peter Smithson: Ideas, Impact, Architecture. Edge Theatre, The Edge, University of Bath, Bath UK 04 Nov 2017Conference paper
South of the River: Crowd Theory
Terrill, S (2016). South of the River: Crowd Theory. National Portrait Gallery, London 10 Jun - 06 Sep 2016Exhibition
Spaces of Women’s Cinema: Space, Place and Genre in Contemporary Women’s Filmmaking, by Sue Thornham
Valente, Donatella (2022). Spaces of Women’s Cinema: Space, Place and Genre in Contemporary Women’s Filmmaking, by Sue Thornham. On the Cultural Circulation of Contemporary European Crime Cinema. https://doi.org/10.33178/alpha.22.13Journal article
Speaking Code: Coding as Aesthetic and Political Expression
Cox, G. and McLean, A. (2013). Speaking Code: Coding as Aesthetic and Political Expression. Cambridge, Mass. MIT Press.Book
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