Modelling Cultural Value within New Media Cultures and Networked Participation

Project report

Walsh, V, Dewdney, A, Pringle, E, Tate, AHRC and LSBU (2014). Modelling Cultural Value within New Media Cultures and Networked Participation. Tate Royal College of Art/AHRC/Tate.
AuthorsWalsh, V, Dewdney, A, Pringle, E, Tate, AHRC and LSBU
TypeProject report
Abstract

Report of the AHRC funded project on Cultural Value

Year2014
PublisherRoyal College of Art/AHRC/Tate
Place of publicationTate
Page range1-33
Web address (URL)http://www.tate.org.uk/download/file/fid/44287
Publication dates
Print07 Jul 2014
Publication process dates
Deposited25 Apr 2019
Book titleModelling Cultural Value within New Media Cultures and Networked Participation
Publisher's version
License
Permalink -

https://openresearch.lsbu.ac.uk/item/877zx

Download files

  • 172
    total views
  • 196
    total downloads
  • 3
    views this month
  • 2
    downloads this month

Export as

Related outputs

Forget Photography: The Arts Council and the Disappearance of Independent Photography in Neoliberal Britain.
Dewdney, A. (2021). Forget Photography: The Arts Council and the Disappearance of Independent Photography in Neoliberal Britain. Concerning Photography: The Photographers’ Gallery and Photographic Networks in Britain, c. 1971 to the present. Online 25 Nov - 02 Dec 2021
ZOMBIE PHOTOGRAPHY: WHAT IS THE PHOTOGRAPHIC IMAGE STILL DOING?
Dewdney, A. (2021). ZOMBIE PHOTOGRAPHY: WHAT IS THE PHOTOGRAPHIC IMAGE STILL DOING? FotoMuseum .
Forget Photography Chapter 1
Dewdney, A. (2021). Forget Photography Chapter 1. Goldsmith Press London Goldsmiths, University of London.
Affordances of the Networked Image
Cox, G., Dewdney, A., Dekker, A. and Sluis, K. (2021). Affordances of the Networked Image. The Nordic Journal of Aesthetics. 30 (61-62), pp. 40-45.
The distributed museum: the flight of cultural authority and the multiple times and spaces of the art museum.
Dewdney, A (2019). The distributed museum: the flight of cultural authority and the multiple times and spaces of the art museum. in: Lewi, H, Smith, W, Cooke, S and von Lehn, D (ed.) International Handbook in New Digital Practices in Galleries, Libraries Archives, Museums and Heritage Sites New York Routledge.
Art museum knowledge and the crisis of representation
Dewdney, A (2017). Art museum knowledge and the crisis of representation. in: Morsch, C and Schade, S (ed.) Representing Art Education: On the Representation of Pedagogical Work in the Art Field Vienna Zaglossus, Verlag.
The University of YouTube: the medium, the user, photography and the search for really useful knowledge. [Internet Publication]
Dewdney, A (2016). The University of YouTube: the medium, the user, photography and the search for really useful knowledge. [Internet Publication]. The Photographers' Gallery.
Co-creating in the Networks: A Reply to “What is 21st Century Photography?” [Internet Publication]
Dewdney, A (2017). Co-creating in the Networks: A Reply to “What is 21st Century Photography?” [Internet Publication]. The Photographers' Gallery.
What Is the current fascination with VR on the part of museums and art galleries?
Dewdney, A (2018). What Is the current fascination with VR on the part of museums and art galleries? Contemporary Art Society Annual Conference: The Virtual in Museums: Hot Medium?. National Gallery, London 10 May 2018
Photography Remoulded
Dewdney, A (2018). Photography Remoulded. New Formations: A Journal of Culture, Theory, Politics. 94, pp. 166-170.
Curating the Photographic Image in Networked Culture
Dewdney, A (2014). Curating the Photographic Image in Networked Culture. Kraesj! Brytninger i fotoarkivet. Oslo, Norway 05 - 06 May 2014 Olso, Norway Kulturradet (Arts Council Norway).
Temporal Conflicts and the Purification of Hybrids in the 21st Century Art Museum: Tate, a Case in Point.
Dewdney, A and Walsh, V (2017). Temporal Conflicts and the Purification of Hybrids in the 21st Century Art Museum: Tate, a Case in Point. Stedlijk Studies. 5.
Museums, Scholarly Enterprise and Global Assemblages: A Response to ‘Artifacts and Allegiances: How Museums Put the Nation and the World on Display’
Dewdney, A (2016). Museums, Scholarly Enterprise and Global Assemblages: A Response to ‘Artifacts and Allegiances: How Museums Put the Nation and the World on Display’. Identities: Global Studies in Culture and Power. 24 (1), pp. 6-12. https://doi.org/10.1080/1070289X.2016.1260021