Film and Media

Type	Division
School	Arts and Creative Industries

Latest research outputs

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Modelling Cultural Value within New Media Cultures and Networked Participation

Walsh, V, Dewdney, A, Pringle, E, Tate, AHRC and LSBU (2014). Modelling Cultural Value within New Media Cultures and Networked Participation. Tate Royal College of Art/AHRC/Tate.

Project report

Montage in the Portrait Film: Where Does the Hidden Time Lie?

Tarrant, PA (2013). Montage in the Portrait Film: Where Does the Hidden Time Lie? Alphaville : Journal of Film and Screen Media.

Journal article

Most and Least of Research Value/s - Editorial

Cox, Geoff and Andersen, Christian Ulrik (2018). Most and Least of Research Value/s - Editorial. APRJA. 7 (1).

Journal article

Mother's Day

Brown, L. (2014). Mother's Day. Sightlines: Filmmaking in the Academy conference. Melbourne 24 - 25 Nov 2014

Conference paper

msdm publications

paula roush msdm publications. London

Digital or visual media

Museums, Scholarly Enterprise and Global Assemblages: A Response to ‘Artifacts and Allegiances: How Museums Put the Nation and the World on Display’

Dewdney, A (2016). Museums, Scholarly Enterprise and Global Assemblages: A Response to ‘Artifacts and Allegiances: How Museums Put the Nation and the World on Display’. Identities: Global Studies in Culture and Power. 24 (1), pp. 6-12. https://doi.org/10.1080/1070289X.2016.1260021

Journal article

Not Just for Fun

Cox, G. and McLean, A. (2014). Not Just for Fun. in: Goriunova, Ol. (ed.) Fun and Software: Exploring Pleasure, Pain and Paradox in Computing London Bloomsbury Academic. pp. 157-173

Book chapter

Notes on 120 days of *buntu

Cox, G. (2012). Notes on 120 days of *buntu. in: Vasiliev, D. and Savicic, G. (ed.) 120 days of *buntu Beaver Press. pp. 10-11

Book chapter

Notes on the Type, Time, Letters & Spirits

Sinister, D. Cox, G. and Lund, J. (ed.) (2017). Notes on the Type, Time, Letters & Spirits. Berlin Sternberg Press.

Book

Nouns of Assembly

Terrill, S (2016). Nouns of Assembly.

Exhibition

Nyhedsavisen: Public Interfaces

Cox, G. (2011). Nyhedsavisen: Public Interfaces. 1.

Journal article

Occupying Public Networks

Cox, G. and Krysa, J. (2014). Occupying Public Networks. in: Mróz-Grygierowska, M. and Ekstrand, T. (ed.) Art Line Karlskrona Blekinge County Museum. pp. 182-184

Book chapter

On Writing a Literary History of the Contemporary: or What is, or was, “the Contemporary,” and should we keep calling it that?

Hutton, M-A. Cox, G. and Lund, J. (ed.) (2018). On Writing a Literary History of the Contemporary: or What is, or was, “the Contemporary,” and should we keep calling it that? Berlin Sternberg Press.

Book

Orphan Editions

paula roush Orphan Editions .

Digital or visual media

Panel: Individual and/versus social creativity

Edmonds, E, Candy, L, Cox, G, Eisenstein, J, Fischer, G, Hughes, B and Hewett, T (1999). Panel: Individual and/versus social creativity. Proceedings of the 3rd Conference on Creativity and Cognition, C and C 1999.

Journal article

Paradoxical Values of Running Code / Paradoksalne wartosci kodu

Cox, G. (2014). Paradoxical Values of Running Code / Paradoksalne wartosci kodu. in: Krajewski, P. and Kutlubasis-Krajewska, V. (ed.) Pioneering Values WRO Foundation for Media Art. pp. 41-113

Book chapter

Parallel (of Life and) Architecture: The Ostrich and the Kipper

Terrill, S (2017). Parallel (of Life and) Architecture: The Ostrich and the Kipper.

Exhibition

Photobooks as sequential archives: Researching photobook publishing through integration of photographic and book art practices

paula roush (2020). Photobooks as sequential archives: Researching photobook publishing through integration of photographic and book art practices. msdm publications. https://doi.org/10.18744/lsbu.899y9

Portfolio

Photography Remoulded

Dewdney, A (2018). Photography Remoulded. New Formations: A Journal of Culture, Theory, Politics. 94, pp. 166-170.

Journal article

Post Photography Prototyping Prize 2018

Brown, Adam, Iseli, Tabea and Warburton, Alan Post Photography Prototyping Prize 2018.

Exhibition

Post-Digital Research - Editorial

Andersen, C.U. and Cox, G. (2014). Post-Digital Research - Editorial. APRJA. 3 (1).

Journal article

Postscript on the Post-digital and the Problem of Temporality

Cox, G (2015). Postscript on the Post-digital and the Problem of Temporality. in: Dieter, M. and Berry, D. M. (ed.) Postdigital Aesthetics: Art, Computation and Design London Palgrave Macmillan. pp. 151-162

Book chapter

Praxis de la programmation: reconsidérer L’esthétique do code généneratif

Cox, G., McLean, A. and Ward, A. (2011). Praxis de la programmation: reconsidérer L’esthétique do code généneratif. in: Lartigaud, D-O. (ed.) Art++ HYX Editions.

Book chapter

Prehistories of the Post-digital: or, some old problems with post-anything

Cox, Geoff (2014). Prehistories of the Post-digital: or, some old problems with post-anything. APRJA. 3 (1), pp. 71-75. https://doi.org/10.7146/aprja.v3i1.116087

Journal article

Radio Buncefield at Punto de Fuga

Brown, A (2015). Radio Buncefield at Punto de Fuga. Punto de Fuga, Paris, France 12 2015 - 16 Nov 2016

Exhibition

Re-mapping women's testimonies into networked subjectivities: The Quipu Project

Maraschin, D and Scafe, S (2016). Re-mapping women's testimonies into networked subjectivities: The Quipu Project. in: Takhar, Shaminder (ed.) Gender and Race Matter: Global Perspectives on Being a Woman Emerald.

Book chapter

Reading the Light Right: The Exposure of Asian Skin Tones in Cinematography

Sung, Y (2020). Reading the Light Right: The Exposure of Asian Skin Tones in Cinematography. Frames Cinema Journal. 17. https://doi.org/10.15664/fcj.v0i17.2075

Journal article

Reading the morphology of Ben Rivers’s chemical landscapes

Tarrant, PA (2016). Reading the morphology of Ben Rivers’s chemical landscapes. Moving Image Review & Art Journal (MIRAJ). 5 (1-2), pp. 58 - 69 (11). https://doi.org/10.1386/miraj.5.1-2.58_1

Journal article

Real-time for Pirate Cinema

Cox, Geoff Janša, J. (ed.) (2015). Real-time for Pirate Cinema. Aksioma.

Book

Recognising and addressing unconscious bias and structural inequalities

Brown, L., Davies, R. and Oyebanjo, F. (2022). Recognising and addressing unconscious bias and structural inequalities. Alphaville : Journal of Film and Screen Media. https://doi.org/10.33178/alpha.24.06

Journal article

Researching BWPWAP: how can we save research from itself?

Andersen, C.U., Cox, G., Bazzichelli, T., Gansing, K. and Beverungen, A. (2013). Researching BWPWAP: how can we save research from itself? A Peer-Reviewed Journal About. 2, pp. 1-2.

Journal article

RuntimeException(): Critique of Software Violence

Cox, G (2018). RuntimeException(): Critique of Software Violence. in: Tyzlik-Carver, M, Pritchard, H and Snodgrass, E (ed.) Executing Practices London Open Humanities Press. pp. 55-68

Book chapter

Script Development on Unscripted Television: Grand Designs & The Spectacle of the Reveal

Brown, L. (2021). Script Development on Unscripted Television: Grand Designs & The Spectacle of the Reveal. in: Taylor, S. & Batty, C. (ed.) The Palgrave Handbook of Script Development Palgrave Macmillan. pp. 71-86

Book chapter

Simon Terrill: Crowd Theory 2004-18, Perspectives, Notes and Comments

Palmer, D, Minton, A, Faust, C, Fite-Wassilak, C, Mulvey, M and Terrill, S. (2019). Simon Terrill: Crowd Theory 2004-18, Perspectives, Notes and Comments. Centre For Contemporary Photography.

Book

Simon Terrill: Crowd Theory Survey Exhibition

Terrill, S (2019). Simon Terrill: Crowd Theory Survey Exhibition.

Exhibition

Sound and Cinema: Past, Present and Future

Brown, L. (2020). Sound and Cinema: Past, Present and Future. London 22 Jan - 13 Feb 2020

Exhibition

Sources of inspiration: from the monument tothe ordinary

Terrill, S (2017). Sources of inspiration: from the monument tothe ordinary. Alison and Peter Smithson: Ideas, Impact, Architecture. Edge Theatre, The Edge, University of Bath, Bath UK 04 Nov 2017

Conference paper

South of the River: Crowd Theory

Terrill, S (2016). South of the River: Crowd Theory. National Portrait Gallery, London 10 Jun - 06 Sep 2016

Exhibition

Spaces of Women’s Cinema: Space, Place and Genre in Contemporary Women’s Filmmaking, by Sue Thornham

Valente, Donatella (2022). Spaces of Women’s Cinema: Space, Place and Genre in Contemporary Women’s Filmmaking, by Sue Thornham. On the Cultural Circulation of Contemporary European Crime Cinema. https://doi.org/10.33178/alpha.22.13

Journal article