Castle on the Marsh

Composition


Parkinson, A. (2023). Castle on the Marsh. London Square Glass.
CreatorsParkinson, A.
ContributorsBaron, G.
Description

Castle on the Marsh is a first-time collaboration between conceptual producers Dane Law (Adam Parkinson) and Semi Precious (Guy Baron), drawing inspiration from Lea Valley Marshes in East London to sonically paint the inbetween landscapes on the fringes of city life

Castle on the Marsh sees Parkinson using Markov chains to reimagine a 1990s trance anthem as fragmented and computer-generated rave folklore, with Baron’s reverb-laden rework of the original track suggesting an even more distant and blurry memory of euphoric moments. “I'm obsessed by the marshes that sit on the edge of east London”, says Parkinson. “It’s place where weekend ravers rub up against kingfishers, grass snakes and drifting populations of the unhoused. A place of nature and escape and of communion and community, and sometimes of more sinister things too”

Keywordscomputer music, post euphoria, sound art, experimental music, electronica
Date04 Aug 2023
Files
Media type
Audio
License
All rights reserved
File Access Level
Open
Place of publicationLondon
Web address (URL)https://thedanelaw.bandcamp.com/album/castle-on-the-marsh
Publication process dates
Deposited26 Feb 2024
Permalink -

https://openresearch.lsbu.ac.uk/item/965z0

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Dane Law - Castle on the Marsh (Semi Precious Rework).mp3
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License: All rights reserved
File access level: Open

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Parkinson, A. (2020). Algorithmic Music for Synthesised Strings. Los Angeles, California Astral Plane Recordings.
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Parkinson, A., Tahirglu, K., Magnusson, T., Garrelfs, I. and Tanaka, A. (2020). Digital Musical Instruments as Probes: How Computation Changes the Mode-of-Being of Musical Instruments. Organised Sound. 25 (1), pp. 64-74. https://doi.org/10.1017/S1355771819000475
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Parkinson, A, Toop, D and Tanaka, A (2020). Unfinished business: a conversation on sound art in the united kingdom. in: Weibel, P (ed.) Sound Art: Sound as a Medium of Art MIT Press.
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Parkinson, A and Tanaka, A (2018). The problems with participation. in: Emmerson, S (ed.) The Routledge research companion to electronic music : reaching out with technology Oxon Routledge.
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Metatla, O., Martin, F., Parkinson, A., Bryan-Kinns, N., Stockman, T. and Tanaka, A. (2016). Audio-haptic interfaces for digital audio workstations. Journal on Multimodal User Interfaces. 10 (3), pp. 247-258. https://doi.org/10.1007/s12193-016-0217-8
Haptic Wave
Tanaka, A. and Parkinson, A. (2016). Haptic Wave. CHI'16: CHI Conference on Human Factors in Computing Systems. ACM. https://doi.org/10.1145/2858036.2858304