Critique of Software Security
Journal article
Cox, G. and Knahl, M. (2011). Critique of Software Security. Rita Baum.
| Authors | Cox, G. and Knahl, M. |
|---|---|
| Abstract | Security is predicated on protection from perceived violence or terrorism, but who will protect us from security? Behind this statement is the fact that those in power regularly commit acts of real and symbolic violence and this goes unpunished – indeed it is legitimated so effectively that we think we are protected by these acts of violence against us in the form of security. This essay asks how the inherent violence encoded into software might be understood in this way. The arguement is that – rather than simply assuming that it protects the user from insecurity - security software itself constitutes violence. These are some of the conditions that produce states of emergency and that in turn create |
| Year | 2011 |
| Journal | Rita Baum |
| Publisher | ArtDruk |
| ISSN | 1429-852X |
| Publication dates | |
| 2011 | |
| Publication process dates | |
| Deposited | 27 Jan 2020 |
| Accepted author manuscript | License File Access Level Open |
| Page range | 75-82 |
Permalink -
https://openresearch.lsbu.ac.uk/item/88y01
Download files
128
total views121
total downloads0
views this month0
downloads this month
Export as
Related outputs
Collective Translation as Forking (分岔)
Cox, G., Soon, W., Lee, T-T, Lee, C-T. and Hsu, S-Y. (2024). Collective Translation as Forking (分岔) . Journal of Electronic Publishing. 27 (1), pp. 195-221.Photography at a Standstill
Cox, G. (2024). Photography at a Standstill. Media Theory. 8 (1), pp. 297-318.Content/Form: A Peer-reviewed Newspaper
Cox, G. (2024). Content/Form: A Peer-reviewed Newspaper. Aarhus, Denmark transmediale/darc, aarhus university.On Curatorial Education, Collaboration and Decolonial Prospects
Cox, G. On Curatorial Education, Collaboration and Decolonial Prospects. in: Learning By Curating: Current Trajectories in Critical Curatorial Education ICMA (Institute for Multidisciplinary Research in Art), UNAGE Iași, Romania; Vector at "George Enescu" National University of the Arts, Iasi, Romania; EARN (European Artistic Research Network), Curatorial Studies WG5. pp. 82-91Editorial: Toward a Minor Tech
Cox, G. and Andersen, C. U. (2023). Editorial: Toward a Minor Tech. A Peer-Reviewed Journal About. 12 (1), pp. 5-9. https://doi.org/10.7146/aprja.v12i1.140431Toward a Minor Tech: A Peer-reviewed Newspaper, Volume 12, Issue 1, 2023
Cox, G. (2023). Toward a Minor Tech: A Peer-reviewed Newspaper, Volume 12, Issue 1, 2023. Aarhus, Denmark transmediale/darc, aarhus university.Editorial: Rendering Research
Cox, G. Editorial: Rendering Research. APRJA. 11 (1), pp. 4-8. https://doi.org//10.7146/aprja.v11i1.134302Live Coding: A User's Manual
Cox, G., Blackwell, A, Cocker, E, McLean, A and Magnusson, T (2022). Live Coding: A User's Manual. Cambridge, Mass. MIT Press.A Peer Reviewed Newspaper About_ Rendering Research
Cox, G. (2022). A Peer Reviewed Newspaper About_ Rendering Research. Digital Aesthetics Research Centre / Center for Digital Æstetikforskning.Ways of Machine Seeing as a Problem of Invisual Literacy
Cox, G. (2022). Ways of Machine Seeing as a Problem of Invisual Literacy. in: Dewdney, A. and Sluis, K. (ed.) The Networked Image in Post Digital Culture London Routledge (Taylor & Francis Group). pp. 102-113Diagramming Aesthetic Programming
Cox, G. and Soon, W. (2021). Diagramming Aesthetic Programming. Dipoli Gallery, Aalto University, Helsinki, Finland 14 Feb 2022Time.Now
Cox, G. and Lund, J. Time.Now. in: Thylstrup, N.B., Agostinho, D, Ring, A., D’Ignazio, C. and Veel, K. (ed.) Uncertain Archives: Critical Keywords for Big Data MIT Press. pp. 523-531A Peer Reviewed Newspaper About Research Refusal
Cox, G. (2021). A Peer Reviewed Newspaper About Research Refusal. Digital Aesthetics Research Centre / Center for Digital Æstetikforskning.Editorial: How To Refuse Research from The Ruins of Its Own Production
Cox, G. (2021). Editorial: How To Refuse Research from The Ruins of Its Own Production . APRJA. 10 (1), pp. 4-13. https://doi.org/10.7146/aprja.v10i1.128183Affordances of the Networked Image
Cox, G., Dewdney, A., Dekker, A. and Sluis, K. (2021). Affordances of the Networked Image. The Nordic Journal of Aesthetics. 30 (61-62), pp. 40-45.What is an Image?
Cox, G. and Soon, W. (2021). What is an Image? The Nordic Journal of Aesthetics. 30 (61-62), pp. 196-201.Glossary
Cox, G. (2021). Glossary. Stages. 9.Introduction: Ways of Machine Seeing
Azar, M., Cox, G. and Impett, L. (2021). Introduction: Ways of Machine Seeing. AI & Society: Journal of Knowledge, Culture and Communication. 36 (4), pp. 1093-1104. https://doi.org/10.1007/s00146-020-01124-6Aesthetic Programming: A Handbook of Software Studies
Cox, G. and Soon, W (2020). Aesthetic Programming: A Handbook of Software Studies. London Open Humanities Press.Before and After the Network - Editorial
Cox, G. and Andersen, C. U. (2020). Before and After the Network - Editorial. APRJA. 9 (1), pp. 4-7. https://doi.org/10.7146/aprja.v9i1.121484The Contemporary Condition
Cox, G (2020). The Contemporary Condition. Sternberg Press.Transmediale workshops and publications
Cox, G. (2020). Transmediale workshops and publications. transmediale/darc, aarhus university.A Peer Reviewed Newspaper About_ Research Networks
Basu, S., Iscen, O.E., Wells, T., Ribas, C., Vasconcellos, G., Holt, R., Seitz, T., Bozzi, N., Kronman, L., Ochigame, R., Pacheco, J.P., Glushneva, I., Bi, W., Grundtmann, N., Lee, W.K., Schlüter, M., Dada, M., Tyzlik-Carver, M., Soon, W., Pold, S., Apprich, C., Neves, J, Cox, G. and Andersen, C.U. (2020). A Peer Reviewed Newspaper About_ Research Networks. Aarhus Aarhus University.A Peer-reviewed Newspaper About_ Machine Feeling
Azar, M., Breljak, A., De Carlo, M., Dada, M., Emsley, I., Stavning Erslev, M., Chavez Heras, D., Hollanek, T., Klein, M., Lee, R., Morgan, C., Ng, C., Pohflepp, S., Raskin, I., Roxanne, T., Uliasz, R., Wiehn, T., Zehner, B., Zeilinger, M. and Cox, G. (2019). A Peer-reviewed Newspaper About_ Machine Feeling. Aarhus University.The Crackle of Contemporaneity
Cox, G, Nolan, R and Prior, A (2019). The Crackle of Contemporaneity. in: de Assis, P and Schwab, M (ed.) Futures of the Contemporary: Contemporaneity, Untimeliness, and Artistic Research Ghent Leuven University Press. pp. 97-114Feeling, Failure, Fallacies - Editorial
Cox, G. and Anderson, C.U. (2019). Feeling, Failure, Fallacies - Editorial. A Peer Reviewed Journal About Machine Feeling. 8 (1). https://doi.org/10.7146/aprja.v8i1.115409Artistic Research Will Eat Itself
Cox, G. (2018). Artistic Research Will Eat Itself.A Peer-reviewed Newspaper About_ Research Values
Andaluz, C.E., Azar, M., Bowden, C., Brain, T., Eriksson, M., Garrett, M., Hunger, F., Michelsen, L.L., Munn, L., Mylonaki, D., Nadal, M., Scheidt, K., Thornton, P., Tigas, P., Wong, A.L., Albrecht, K., Pinkrah, N.Y., Moll, J., Sebregondi, F. and Cox, G. (2018). A Peer-reviewed Newspaper About_ Research Values. Aarhus Aarhus University.Vocable Code (13082018): A lecture-performance in six parts
Soon, W. and Cox, G. (2018). Vocable Code (13082018): A lecture-performance in six parts. AarhusVocable Code
Soon, W. and Cox, G. (2018). Vocable Code. Cox, G., Drayson, H., Fatehrad, A., Gall, A. and Hopes, L. (ed.) Artistic Research Will Eat Itself: 9th SAR - International Conference on Artistic Research. Plymouth, UK 11 - 13 Apr 2018 Society for Artistic Research. pp. 251-258(Micro)Politics of Algorithmic Music: Towards a Tactical Media Archaeology
Cox, G and Riis, M (2018). (Micro)Politics of Algorithmic Music: Towards a Tactical Media Archaeology. in: McLean, A and Dean, R (ed.) The Oxford Handbook on Algorithmic Music Oxford Oxford University Press (OUP). pp. 603-626RuntimeException(): Critique of Software Violence
Cox, G (2018). RuntimeException(): Critique of Software Violence. in: Tyzlik-Carver, M, Pritchard, H and Snodgrass, E (ed.) Executing Practices London Open Humanities Press. pp. 55-68Most and Least of Research Value/s - Editorial
Cox, Geoff and Andersen, Christian Ulrik (2018). Most and Least of Research Value/s - Editorial. APRJA. 7 (1).A Peer-reviewed Newspaper About_ Machine Research
Cox, G., Pold, S., Andersen, C.U., House, B., Gil-Fournier, A., Malevé, N., Hill, J., Jones, N., Skinner, S., Young, D., Herrie, M.B., Ganesh, M.I., Ridgway, R., Abbing, R.R., Monti, M., Menkman, R., Rasmussen, S., Rocha, J. and Garcen, S. (2017). A Peer-reviewed Newspaper About_ Machine Research. Aarhus Aarhus University.The Contemporary Condition: Key Concepts
Lund, Jacob, Gfader, Verina, Iversen, Anne Kølbæk and Cox, Geoff (2017). The Contemporary Condition: Key Concepts. Stages. 6.Machine Research - Editorial
Cox, G. and Andersen, C.U. (2017). Machine Research - Editorial. APRJA. 6 (1).Ways of Machine Seeing: An Introduction
Cox, G (2017). Ways of Machine Seeing: An Introduction. APRJA. 6 (1), pp. 8-15. https://doi.org/10.7146/aprja.v6i1.116007Contemporary Conditions are Badly Known
Cox, G and Lund, J (2017). Contemporary Conditions are Badly Known. Acoustic Space. 16, pp. 93-100.A Peer-reviewed Newspaper About_ Excessive Research
Cox, G., Andersen, C.U., Azar, M., Christou, E., Doran, A., Gansing, K., Velasco Gonzalez, P., Hansen, L.K., Jones, N., Krysa, J., Lautenschlaeger, G., Mann, L., Sollfrank, C., Sützl, W., Søndergaard, M.L.J., Topaloglu, C., Wark, S. and Zettel, T. (2016). A Peer-reviewed Newspaper About_ Excessive Research. Aarhus Aarhus University.Ways of Machine Seeing
Cox, Geoff (2016). Ways of Machine Seeing.Excessive Research - Editorial
Andersen, C.U. and Cox, G. (2016). Excessive Research - Editorial. APRJA. 5 (1), pp. 1-1.The Contemporary Condition: Introductory Thoughts on Contemporaneity and Contemporary Art
Cox, G and Lund, J Cox, G. and Lund, J. (ed.) (2016). The Contemporary Condition: Introductory Thoughts on Contemporaneity and Contemporary Art. Berlin Sternberg Press.Writing the Live Coding Book
Blackwell, A, Cox, G and Lee, S. W (2016). Writing the Live Coding Book. Ogborn, David (ed.) International Conference on Live Coding 2016. Hamilton, Canada 12 - 15 Oct 2016 McMaster University, Hamilton, Canada International Conference on Live Coding.Generator: the value of software art
Cox, Geoff Generator: the value of software art. in: Shanken, Edward A (ed.) Systems MIT Press. pp. 186-189Making “World Machines”
Light, A., Bardzell, J., Bardzell, S., Cox, G., Fritsch, J. and Koefoed Hansen, L. Making “World Machines”. Aarhus Series on Human Centered Computing.What Does Live Coding Know?
Cox, G. (2015). What Does Live Coding Know? Proceedings of the First International Conference on Live Coding.A Peer-reviewed Newspaper About_ Datafied Research
Cox, G., Rossiter, N., Ridgway, R., Charlton, J., Samson, A., Gallardo, F., Stoyanova, M., Soon, W., Olsen, L.M., Howe, D.C., Andersen, C.U. and Pold, S. (2015). A Peer-reviewed Newspaper About_ Datafied Research. Aarhus Aarhus University.Crítica de la violencia software
Cox, G. (2015). Crítica de la violencia software. Concreta. 05, pp. 28-39.Datafied Research - Editorial
Andersen, C.U. and Cox, G. (2015). Datafied Research - Editorial. APRJA. 4 (1).Archiving the Databody: Human and Nonhuman Agency in the Documents of Erkki Kurenniemi
Cox, G., Malevé, N. and Murtaugh, M. (2015). Archiving the Databody: Human and Nonhuman Agency in the Documents of Erkki Kurenniemi. in: Krysa, J. and Parikka, J. (ed.) Writing and UnWriting Media (Art) History: Erkki Kurenniemi in 2048 Cambridge, Mass. MIT Press. pp. 125-142Postscript on the Post-digital and the Problem of Temporality
Cox, G (2015). Postscript on the Post-digital and the Problem of Temporality. in: Dieter, M. and Berry, D. M. (ed.) Postdigital Aesthetics: Art, Computation and Design London Palgrave Macmillan. pp. 151-162Real-time for Pirate Cinema
Cox, Geoff Janša, J. (ed.) (2015). Real-time for Pirate Cinema. Aksioma.World in Motion: Films from the Collection of the Museum of Ordure
Cox, G., Brisley, S. and Balcioglu, M. (2014). World in Motion: Films from the Collection of the Museum of Ordure.A Peer-reviewed Newspaper About_ Post-digital Research
Cox, G., Andersen, C.U., Allen, J., Bosma, J., Charlton, J., Chattopadhyay, B., Cramer, F., Fritsch, J., Gauthier, D., Jackson, R., Lawrie, M., Ludovico, A., Nolan, K., Papadopoulos, G., Philipsen, L., Pold, S., Riis, M., Snodgrass, E., Thomsen, B.M.S. and Soon, W. (2014). A Peer-reviewed Newspaper About_ Post-digital Research. Aarhus Aarhus University.Paradoxical Values of Running Code / Paradoksalne wartosci kodu
Cox, G. (2014). Paradoxical Values of Running Code / Paradoksalne wartosci kodu. in: Krajewski, P. and Kutlubasis-Krajewska, V. (ed.) Pioneering Values WRO Foundation for Media Art. pp. 41-113Occupying Public Networks
Cox, G. and Krysa, J. (2014). Occupying Public Networks. in: Mróz-Grygierowska, M. and Ekstrand, T. (ed.) Art Line Karlskrona Blekinge County Museum. pp. 182-184Code for-itself
Cox, G. (2014). Code for-itself. in: Jones, N. and Skinner, S. (ed.) Torque #1 Link Editions. pp. 130-140Post-Digital Research - Editorial
Andersen, C.U. and Cox, G. (2014). Post-Digital Research - Editorial. APRJA. 3 (1).Not Just for Fun
Cox, G. and McLean, A. (2014). Not Just for Fun. in: Goriunova, Ol. (ed.) Fun and Software: Exploring Pleasure, Pain and Paradox in Computing London Bloomsbury Academic. pp. 157-17301.01.CM: Collection of Museum of Ordure
Cox, G., Brisley, S. and Balcioglu, M. Cox, G. and Kokholm, M. (ed.) (2014). 01.01.CM: Collection of Museum of Ordure. Aarhus Antipyrine.Prehistories of the Post-digital: or, some old problems with post-anything
Cox, Geoff (2014). Prehistories of the Post-digital: or, some old problems with post-anything. APRJA. 3 (1), pp. 71-75. https://doi.org/10.7146/aprja.v3i1.116087Live Coding as a Model for Cultural Practice & Cultural-Epistemological Aspects of Live Coding
Cox, G. (2013). Live Coding as a Model for Cultural Practice & Cultural-Epistemological Aspects of Live Coding. Schloss Dagstuhl–Leibniz-Zentrum f"ur Informatik.Researching BWPWAP: how can we save research from itself?
Andersen, C.U., Cox, G., Bazzichelli, T., Gansing, K. and Beverungen, A. (2013). Researching BWPWAP: how can we save research from itself? A Peer-Reviewed Journal About. 2, pp. 1-2.Speaking Code: Coding as Aesthetic and Political Expression
Cox, G. and McLean, A. (2013). Speaking Code: Coding as Aesthetic and Political Expression. Cambridge, Mass. MIT Press.Disrupting Business: art and activism in times of financial crisis
Cox, G and Bazzichelli, T (2013). Disrupting Business: art and activism in times of financial crisis. New York Autonomedia.Notes on 120 days of *buntu
Cox, G. (2012). Notes on 120 days of *buntu. in: Vasiliev, D. and Savicic, G. (ed.) 120 days of *buntu Beaver Press. pp. 10-11Alternatywy nie ma
Cox, G. (2012). Alternatywy nie ma. in: Krajewski, P. and Kutlubasis-Krajewska, Vi. (ed.) WRO 2011 Alternative Now Catalog Wroclaw WRO Foundation for Media Art.In/Compatible Research - Editorial
Andersen, C.U. and Cox, G. (2012). In/Compatible Research - Editorial. 1, pp. 2-2.Introduction/Einführung
Cox, G. (2012). Introduction/Einführung. in: David Link Berlin Hatje Cantz.Virtual Suicide as Decisive Political Act
Cox, G. (2012). Virtual Suicide as Decisive Political Act. in: Sützl, W. and Hug, T. (ed.) Activist Media and Biopolitics Innsbruck University of Innsbruck Press. pp. 105-105Praxis de la programmation: reconsidérer L’esthétique do code généneratif
Cox, G., McLean, A. and Ward, A. (2011). Praxis de la programmation: reconsidérer L’esthétique do code généneratif. in: Lartigaud, D-O. (ed.) Art++ HYX Editions.Means-End of Software
Cox, G. (2011). Means-End of Software. in: Pold, S. and Andersen, C. (ed.) Interface Criticism Aarhus University. pp. 145-145Freedom, Control, Security: Current and Future Implications for Internet Governance
Cox, Geoff and Knahl, Martin (2011). Freedom, Control, Security: Current and Future Implications for Internet Governance. in: El Morr, Christo and Maret, Pierre (ed.) Virtual Community Building and the Information Society IGI Global. pp. 238-238