(Micro)Politics of Algorithmic Music: Towards a Tactical Media Archaeology
Book chapter
Cox, G and Riis, M (2018). (Micro)Politics of Algorithmic Music: Towards a Tactical Media Archaeology. in: McLean, A and Dean, R (ed.) The Oxford Handbook on Algorithmic Music Oxford Oxford University Press (OUP). pp. 603-626
| Authors | Cox, G and Riis, M |
|---|---|
| Editors | McLean, A and Dean, R |
| Abstract | The chapter explores a shift of emphasis from the macro to micro scale of algorithmic music, by making reference to Deleuze and Guattari’s notion of micropolitics, microtemporality in the work of Wolfgang Ernst, and Shintaro Miyazaki’s concept of algorhythmics. By drawing together tactical media and media archaeology to address the politics of algorithmic music, an argument is developed that ‘tactical media archaeology’ offers an analytical method for developing alternative compositions. By emphasising more speculative approaches and broader ecologies of practice exemplified by the critical engineering of Martin Howse, our claim is that algorithms need to understood as part of temporal, relational and contingent operations that are sensitive to their conditions and future trajectories. |
| Page range | 603-626 |
| Year | 2018 |
| Book title | The Oxford Handbook on Algorithmic Music |
| Publisher | Oxford University Press (OUP) |
| Place of publication | Oxford |
| Series | Oxford Handbooks |
| ISBN | 9780190226992 |
| Publication dates | |
| 22 Mar 2018 | |
| Publication process dates | |
| Accepted | 01 Jan 2018 |
| Deposited | 21 Jan 2020 |
| Web address (URL) | https://global.oup.com/academic/product/the-oxford-handbook-of-algorithmic-music-9780190226992?cc=gb&lang=en&# |
| Accepted author manuscript | License File Access Level Open |
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