7. Eurorack to VCV Rack: Modular Synthesis as Compositional Performance

Book chapter

Rietveld, H. and Randell, J. (2024). 7. Eurorack to VCV Rack: Modular Synthesis as Compositional Performance. in: Kitzmann, A., Teboul, E. J., Engstrom, E. and Thoren, C. (ed.) 7. Modular Synthesis: Patching Machines and People Routledge (Taylor & Francis Group). pp. 172-184
AuthorsRietveld, H. and Randell, J.
EditorsKitzmann, A., Teboul, E. J., Engstrom, E. and Thoren, C.
Abstract

An auto-ethnographic approach is applied to explore the practice of specific patching techniques in post-digital modular synthesis. This is conceptualised as a performance, an embodied approach to creative musical synthesis that emphases the sound and touch over the visual dominance of the currently ubiquitous computer screen. Music performance includes the re-assemblage and re-configuration of a hardware modular system, in this case Eurorack, hereby differentiating it from its virtual version, VCV Rack.

KeywordsModular Synthesis; Post-digital; Eurorack; Compositional performance
Page range172-184
Year2024
Book title7. Modular Synthesis: Patching Machines and People
PublisherRoutledge (Taylor & Francis Group)
File
EditionFirst
SeriesFocal Press
ISBNISBN 9781032113463
ISBN 9781032113470
Publication dates
Print24 Apr 2024
Publication process dates
Accepted23 Jan 2024
Deposited29 Jan 2024
Web address (URL)https://www.routledge.com/Modular-Synthesis-Patching-Machines-and-People/Teboul-Kitzmann-Engstrom/p/book/9781032113463
Additional information

A first collaboration between Prof Hillegonda Rietveld and Mr Justin Randell, exploring the potential of creative technologies in music making and music performance.

Permalink -

https://openresearch.lsbu.ac.uk/item/9635w

Download files

File
Eurorack-VCV_Rack_Randell_Rietveld_v3d-final-Open-Access.pdf

  • 216
    total views
  • 236
    total downloads
  • 5
    views this month
  • 4
    downloads this month

Export as

Related outputs

Chapter 8. Strutting with Streets of Rage: When Dance Music Enters the Fight
Rietveld, H. C. and Lemon, A. (2024). Chapter 8. Strutting with Streets of Rage: When Dance Music Enters the Fight. in: Music and Sonic Environments in Video Games: listening to and Performing Ludic Soundscapes Routledge.
Rethinking Immersion
Parkinson, A. and Randell, J. (2023). Rethinking Immersion. Innovation in Music Conference 2023. Edinburgh Napier University 30 Jun - 02 Jul 2023
Rethinking Immersive Audio
Parkinson, A. and Randell, J. (2023). Rethinking Immersive Audio. eXtending Reality: Immersive Design, Production and Technology . University of Portsmouth 11 - 11 Sep 2023
Editorial Introduction: Synergies Between Game Music and Electronic Dance Music in Cultural Context
Fritsch, M. and Rietveld, H. C. (2023). Editorial Introduction: Synergies Between Game Music and Electronic Dance Music in Cultural Context. Journal of Sound and Music in Video Games. 4 (1), pp. 1-8. https://doi.org//10.1525/jsmg.2023.4.1.1
The Nightclub
Rietveld, H. (2022). The Nightclub. in: Stahl, Geoff and Parcival, J. Mark (ed.) The Bloomsbury Handbook of Popular Music, Space and Place Bloomsbury Academic. pp. 22 pages
Flexible control of acoustic conditions in a music rehearsal space using airbeds
Shearer, D, Dance, S, Gomez-Agustina, L and Randell, J (2021). Flexible control of acoustic conditions in a music rehearsal space using airbeds. Applied Acoustics. 173, pp. 107708-107708. https://doi.org/10.1016/j.apacoust.2020.107708
Gabber: Raising Hell in Technoculture
Rietveld, H. and Monroe, Alexei (2021). Gabber: Raising Hell in Technoculture. Metal Music Studies. 7 (3), pp. 399-421. https://doi.org/10.1386/mms_00057_1
Female Credit: Excavating Acknowledgement for the Capcom Sound Team
Rietveld, H and Lemon, A. (2021). Female Credit: Excavating Acknowledgement for the Capcom Sound Team. in: Fritsch, M and Summers, T (ed.) Cambridge Companion to Video Game Music Cambridge Cambridge University Press (CUP).
The Street Fighter Lady: Invisibility and Gender in Game Composition
Rietveld, H and Lemon, A (2019). The Street Fighter Lady: Invisibility and Gender in Game Composition. ToDiGRA Journal,. 5 (1). https://doi.org/10.26503/todigra.v5i1.112
Machine Possession: Dancing to Repetitive Beats
Rietveld, HC (2018). Machine Possession: Dancing to Repetitive Beats. in: Levaux, C and Julien, O (ed.) Over and Over: Exploring Repetition in Popular Music New York and London Bloomsbury Academic.
Dancing in the Technoculture
Rietveld, HC (2018). Dancing in the Technoculture. in: Emmerson, S (ed.) The Routledge Research Companion to Electronic Music: Reaching Out With Technology New York (USA) and London Routledge. pp. 113-134
Towards a Novel Acoustic Absorber Using a Magnetically Induced Geometric Nonlinearity in an Elastic Membrane
Shearer, DJ, Dance, S, Gomez-Agustina, L and Randell, J (2018). Towards a Novel Acoustic Absorber Using a Magnetically Induced Geometric Nonlinearity in an Elastic Membrane. Euronoise 2018, the 11th European Congress and Exposition on Noise Control Engineering. Crete, Greece 27 - 31 May 2018 EAA-HELINA.
The Streetfighter Lady: Invisibility and Gender Role - Play in Game Composition
Rietveld, HC and Lemon, A (2018). The Streetfighter Lady: Invisibility and Gender Role - Play in Game Composition. Carbone, MB and Mariani, I (ed.) DiGRA ITALIA 2018: "Women, LGBTQI & Allies: Videogiochi e identità di genere". Palermo, Italy 01 Jun 2018 DiGRA Italia.
Gabber Overdrive: Noise, Horror, and Acceleration
Rietveld, HC (2018). Gabber Overdrive: Noise, Horror, and Acceleration. Turmoil CTM Magazine.
Detroit: Techno City
Rietveld, HC and Kolioulis, A (2018). Detroit: Techno City. in: Lashua, B, Wagg, S, Spracklen, K and Yavuz, MS (ed.) Sounds and the City: Volume 2 New York (USA), London (UK), Zug (Switzerland) Palgrave Macmillan.
Echo
Rietveld, HC and Henriques, J (2018). Echo. in: Bull, M (ed.) The Routledge Companion to Sound Studies New York and London: Routledge New York (USA) and London Routledge.
Authenticity and Liveness in Digital DJ Performance
Rietveld, HC (2016). Authenticity and Liveness in Digital DJ Performance. in: Hytönen-Ng, E and Tsioulakis, I (ed.) Musicians and their Audiences: Performance, Speech and Mediation New York (USA) and London Routledge.
Hear The Music, Play The Game. Music And Game Design: Interplays And Perspectives
Rietveld, HC, Carbone, MB, Gallagher, R, Newman, J, McAlpine, KB, Peñate Domínguez, F, Collins, K, Hulme, Z, Langhorst, T and Austin, M (2017). Hear The Music, Play The Game. Music And Game Design: Interplays And Perspectives. Game. 1 (6).
Introduction: Towards a Polyphonic Approach to Games and Music Studies
Rietveld, HC and Carbone, MB (2017). Introduction: Towards a Polyphonic Approach to Games and Music Studies. GAME: the Italian Journal of Game Studies. 1 (6).
Breaking the Electronic Sprawl
Rietveld, HC (2015). Breaking the Electronic Sprawl. Guerra, P and Bennett, A (ed.) Keep It Simple, Make It Fast! (KISMIF): Crossing Borders of Underground Music Scenes. Porto, Portugal 13 - 17 Jul 2015 Griffith University and University of Porto. pp. 235 - 235
Lovely Bones: Music from Beyond
Rietveld, HC (2016). Lovely Bones: Music from Beyond. in: Albiez, S. and Pattie, D (ed.) Brian Eno Oblique Music London Bloomsbury Academic. pp. 105-117
Introduction: Echoes from the Dub Diaspora
Rietveld, HC and van Veen, TC (2015). Introduction: Echoes from the Dub Diaspora. Dancecult : Journal of Electronic Dance Music Culture. 7 (2), pp. 1-4. https://doi.org/10.12801/1947-5403.2015.07.02.00
Echoes from the Dub Diaspora
van Veen, TC, Rietveld, HC, Vendryes, T, Ramstedt, K, Harries, JV, Kolioulis, A, Zuberi, N, Christodoulou, C, Partridge, C and MacLeod, EC (2015). Echoes from the Dub Diaspora. Dancecult : Journal of Electronic Dance Music Culture. 7 (2). https://doi.org/10.12801/1947-5403.2015.07.02
Burial’s Echoic Loneliness
Rietveld, HC (2015). Burial’s Echoic Loneliness. in: Beyer, T, Burkhalter, T and Liechti, TH (ed.) Seismographic Sounds – Visions of a New World Switzerland Norient. pp. 133-135