The Streetfighter Lady: Invisibility and Gender Role - Play in Game Composition

Conference paper


Rietveld, HC and Lemon, A (2018). The Streetfighter Lady: Invisibility and Gender Role - Play in Game Composition. Carbone, MB and Mariani, I (ed.) DiGRA ITALIA 2018: "Women, LGBTQI & Allies: Videogiochi e identità di genere". Palermo, Italy 01 Jun 2018 DiGRA Italia.
AuthorsRietveld, HC and Lemon, A
TypeConference paper
Abstract

Proceedings of DiGRA 2018 Conference: Women, LGBTQI and Allies © 2018 Authors & Digital Games Research Association DiGRA. Personal and educational classroom use of this paper is allowed, commercial use requires specific permission from the author. The Streetfighter Lady: Invisibility and Gender Role - Play in Game Composition Hillegonda C Rietveld Andrew Lemon Sonic Research Group & Games Research Group London South Bank University rietvehc@lsbu.ac.uk The dimension of music is too often an oversight in general game studies, while gender politics are not sufficiently addressed in the currently developing study of game music. In addition, although there are exceptions within academic research (cf. Collins 2016), female game composers are too often rendered invisible within popular and populist game archaeological practices. As an example of gender role-play within theme-based composition practices, the presentation addresses Yoko Shimomura's original 1991 soundtrack of arcade fighting game "Streetfighter II: The World Warrior" (SF2) .

KeywordsGame Music; Game Industry; Gender; Game Studies; Ludomusicology; Music Composition; Electronic Music
Year2018
JournalDiGRA ITALIA 2018 Women, LGBTQI & Allies: Videogiochi e identità di genere
PublisherDiGRA Italia
Accepted author manuscript
License
File Access Level
Open
Publication dates
Print06 Aug 2018
Publication process dates
Deposited15 Aug 2018
Accepted18 Jul 2018
EditorsCarbone, MB and Mariani, I
Permalink -

https://openresearch.lsbu.ac.uk/item/869x6

Download files


Accepted author manuscript
rietveld-lemon-streetfighter-lady-2018_wlgbtqia.pdf
License: CC BY 4.0
File access level: Open

  • 351
    total views
  • 250
    total downloads
  • 3
    views this month
  • 1
    downloads this month

Export as

Related outputs

7. Eurorack to VCV Rack: Modular Synthesis as Compositional Performance
Rietveld, H. and Randell, J. (2024). 7. Eurorack to VCV Rack: Modular Synthesis as Compositional Performance. in: Kitzmann, A., Teboul, E. J., Engstrom, E. and Thoren, C. (ed.) 7. Modular Synthesis: Patching Machines and People Routledge (Taylor & Francis Group). pp. 172-184
Chapter 8. Strutting with Streets of Rage: When Dance Music Enters the Fight
Rietveld, H. C. and Lemon, A. (2024). Chapter 8. Strutting with Streets of Rage: When Dance Music Enters the Fight. in: Music and Sonic Environments in Video Games: listening to and Performing Ludic Soundscapes Routledge.
Editorial Introduction: Synergies Between Game Music and Electronic Dance Music in Cultural Context
Fritsch, M. and Rietveld, H. C. (2023). Editorial Introduction: Synergies Between Game Music and Electronic Dance Music in Cultural Context. Journal of Sound and Music in Video Games. 4 (1), pp. 1-8. https://doi.org//10.1525/jsmg.2023.4.1.1
The Nightclub
Rietveld, H. (2022). The Nightclub. in: Stahl, Geoff and Parcival, J. Mark (ed.) The Bloomsbury Handbook of Popular Music, Space and Place Bloomsbury Academic. pp. 22 pages
Gabber: Raising Hell in Technoculture
Rietveld, H. and Monroe, Alexei (2021). Gabber: Raising Hell in Technoculture. Metal Music Studies. 7 (3), pp. 399-421. https://doi.org/10.1386/mms_00057_1
Female Credit: Excavating Acknowledgement for the Capcom Sound Team
Rietveld, H and Lemon, A. (2021). Female Credit: Excavating Acknowledgement for the Capcom Sound Team. in: Fritsch, M and Summers, T (ed.) Cambridge Companion to Video Game Music Cambridge Cambridge University Press (CUP).
The Street Fighter Lady: Invisibility and Gender in Game Composition
Rietveld, H and Lemon, A (2019). The Street Fighter Lady: Invisibility and Gender in Game Composition. ToDiGRA Journal,. 5 (1). https://doi.org/10.26503/todigra.v5i1.112
Machine Possession: Dancing to Repetitive Beats
Rietveld, HC (2018). Machine Possession: Dancing to Repetitive Beats. in: Levaux, C and Julien, O (ed.) Over and Over: Exploring Repetition in Popular Music New York and London Bloomsbury Academic.
Dancing in the Technoculture
Rietveld, HC (2018). Dancing in the Technoculture. in: Emmerson, S (ed.) The Routledge Research Companion to Electronic Music: Reaching Out With Technology New York (USA) and London Routledge. pp. 113-134
Gabber Overdrive: Noise, Horror, and Acceleration
Rietveld, HC (2018). Gabber Overdrive: Noise, Horror, and Acceleration. Turmoil CTM Magazine.
Detroit: Techno City
Rietveld, HC and Kolioulis, A (2018). Detroit: Techno City. in: Lashua, B, Wagg, S, Spracklen, K and Yavuz, MS (ed.) Sounds and the City: Volume 2 New York (USA), London (UK), Zug (Switzerland) Palgrave Macmillan.
Echo
Rietveld, HC and Henriques, J (2018). Echo. in: Bull, M (ed.) The Routledge Companion to Sound Studies New York and London: Routledge New York (USA) and London Routledge.
Authenticity and Liveness in Digital DJ Performance
Rietveld, HC (2016). Authenticity and Liveness in Digital DJ Performance. in: Hytönen-Ng, E and Tsioulakis, I (ed.) Musicians and their Audiences: Performance, Speech and Mediation New York (USA) and London Routledge.
Hear The Music, Play The Game. Music And Game Design: Interplays And Perspectives
Rietveld, HC, Carbone, MB, Gallagher, R, Newman, J, McAlpine, KB, Peñate Domínguez, F, Collins, K, Hulme, Z, Langhorst, T and Austin, M (2017). Hear The Music, Play The Game. Music And Game Design: Interplays And Perspectives. Game. 1 (6).
Introduction: Towards a Polyphonic Approach to Games and Music Studies
Rietveld, HC and Carbone, MB (2017). Introduction: Towards a Polyphonic Approach to Games and Music Studies. GAME: the Italian Journal of Game Studies. 1 (6).
Breaking the Electronic Sprawl
Rietveld, HC (2015). Breaking the Electronic Sprawl. Guerra, P and Bennett, A (ed.) Keep It Simple, Make It Fast! (KISMIF): Crossing Borders of Underground Music Scenes. Porto, Portugal 13 - 17 Jul 2015 Griffith University and University of Porto. pp. 235 - 235
Lovely Bones: Music from Beyond
Rietveld, HC (2016). Lovely Bones: Music from Beyond. in: Albiez, S. and Pattie, D (ed.) Brian Eno Oblique Music London Bloomsbury Academic. pp. 105-117
Introduction: Echoes from the Dub Diaspora
Rietveld, HC and van Veen, TC (2015). Introduction: Echoes from the Dub Diaspora. Dancecult : Journal of Electronic Dance Music Culture. 7 (2), pp. 1-4. https://doi.org/10.12801/1947-5403.2015.07.02.00
Echoes from the Dub Diaspora
van Veen, TC, Rietveld, HC, Vendryes, T, Ramstedt, K, Harries, JV, Kolioulis, A, Zuberi, N, Christodoulou, C, Partridge, C and MacLeod, EC (2015). Echoes from the Dub Diaspora. Dancecult : Journal of Electronic Dance Music Culture. 7 (2). https://doi.org/10.12801/1947-5403.2015.07.02
Burial’s Echoic Loneliness
Rietveld, HC (2015). Burial’s Echoic Loneliness. in: Beyer, T, Burkhalter, T and Liechti, TH (ed.) Seismographic Sounds – Visions of a New World Switzerland Norient. pp. 133-135