Introduction: Echoes from the Dub Diaspora

Journal article


Rietveld, HC and van Veen, TC (2015). Introduction: Echoes from the Dub Diaspora. Dancecult : Journal of Electronic Dance Music Culture. 7 (2), pp. 1-4. https://doi.org/10.12801/1947-5403.2015.07.02.00
AuthorsRietveld, HC and van Veen, TC
Abstract

Editorial introduction to special issue

Year2015
JournalDancecult : Journal of Electronic Dance Music Culture
Journal citation7 (2), pp. 1-4
PublisherGriffith University
ISSN1947-5403
Digital Object Identifier (DOI)https://doi.org/10.12801/1947-5403.2015.07.02.00
Web address (URL)https://dj.dancecult.net/index.php/dancecult/article/view/767/691
Publication dates
Print08 Nov 2015
Online2015
Publication process dates
Accepted01 Nov 2015
Deposited03 Sep 2020
Publisher's version
License
File Access Level
Open
EditorsRietveld, HC and van Veen, TC
Permalink -

https://openresearch.lsbu.ac.uk/item/8q685

Download files


Publisher's version
Dancecult-Dub_Diaspora-Introduction-2015.pdf
License: CC BY 4.0
File access level: Open

  • 7
    total views
  • 1
    total downloads
  • 1
    views this month
  • 0
    downloads this month

Export as

Related outputs

Female Credit: Excavating Acknowledgement for the Capcom Sound Team
Rietveld, H and Lemon, A (2021). Female Credit: Excavating Acknowledgement for the Capcom Sound Team. in: Fritsch, M and Summers, T (ed.) Cambridge Companion to Video Game Music Cambridge Cambridge University Press.
Gabber: Raising Hell in Technoculture
Rietveld, H and Monroe, A (2020). Gabber: Raising Hell in Technoculture. Metal Music Studies. https://doi.org/10.1386/mms_
The Street Fighter Lady: Invisibility and Gender in Game Composition
Rietveld, H and Lemon, A (2019). The Street Fighter Lady: Invisibility and Gender in Game Composition. ToDiGRA Journal,. 5 (1). https://doi.org/10.26503/todigra.v5i1.112
The Streetfighter Lady: Invisibility and Gender Role - Play in Game Composition
Rietveld, HC and Lemon, A (2018). The Streetfighter Lady: Invisibility and Gender Role - Play in Game Composition. Carbone, MB and Mariani, I (ed.) DiGRA ITALIA 2018: "Women, LGBTQI & Allies: Videogiochi e identità di genere". Palermo, Italy 01 Jun 2018 DiGRA Italia.
Gabber Overdrive: Gabber Overdrive–Noise, Horror, and Acceleration
Rietveld, HC (2018). Gabber Overdrive: Gabber Overdrive–Noise, Horror, and Acceleration. Turmoil CTM Magazine.
Detroit: Techno City
Rietveld, HC and Kolioulis, A (2018). Detroit: Techno City. in: Lashua, B, Wagg, S, Spracklen, K and Yavuz, MS (ed.) Sounds and the City: Volume 2 New York (USA), London (UK), Zug (Switzerland) Palgrave Macmillan.
Machine possession: Dancing to repetitive beats
Rietveld, HC (2018). Machine possession: Dancing to repetitive beats. in: Levaux, C and Julien, O (ed.) Over and Over: Exploring Repetition in Popular Music New York and London Bloomsbury Academic.
Dancing in the Technoculture
Rietveld, HC (2018). Dancing in the Technoculture. in: Emmerson, S (ed.) The Routledge Research Companion to Electronic Music: Reaching Out With Technology New York (USA) and London Routledge. pp. 113-134
Echo
Rietveld, HC and Henriques, J (2018). Echo. in: Bull, M (ed.) The Routledge Companion to Sound Studies New York and London: Routledge New York (USA) and London Routledge.
Authenticity and Liveness in Digital DJ Performance
Rietveld, HC (2016). Authenticity and Liveness in Digital DJ Performance. in: Hytönen-Ng, E and Tsioulakis, I (ed.) Musicians and their Audiences: Performance, Speech and Mediation New York (USA) and London Routledge.
Burial’s Echoic Loneliness
Rietveld, HC (2015). Burial’s Echoic Loneliness. in: Beyer, T, Burkhalter, T and Liechti, TH (ed.) Seismographic Sounds – Visions of a New World Switzerland Norient. pp. 132-134
Lovely Bones: Ambient Music and the Uncanny in Leitmotiv and Underscore
Rietveld, HC (2016). Lovely Bones: Ambient Music and the Uncanny in Leitmotiv and Underscore. in: Albiez, S and Pattie, D (ed.) Brian Eno Oblique Music London Bloomsbury Academic. pp. 105-117
Hear The Music, Play The Game. Music And Game Design: Interplays And Perspectives
Rietveld, HC, Carbone, MB, Gallagher, R, Newman, J, McAlpine, KB, Peñate Domínguez, F, Collins, K, Hulme, Z, Langhorst, T and Austin, M (2017). Hear The Music, Play The Game. Music And Game Design: Interplays And Perspectives. Game. 1 (6).
Introduction: Towards a Polyphonic Approach to Games and Music Studies
Rietveld, HC and Carbone, MB (2017). Introduction: Towards a Polyphonic Approach to Games and Music Studies. GAME: the Italian Journal of Game Studies. 1 (6).
Breaking the Electronic Sprawl
Rietveld, HC (2015). Breaking the Electronic Sprawl. Guerra, P and Bennett, A (ed.) Keep It Simple, Make It Fast! (KISMIF): Crossing Borders of Underground Music Scenes. Porto, Portugal 13 - 17 Jul 2015 Griffith University and University of Porto. pp. 235 - 235
Echoes from the Dub Diaspora
van Veen, TC, Rietveld, HC, Vendryes, T, Ramstedt, K, Harries, JV, Kolioulis, A, Zuberi, N, Christodoulou, C, Partridge, C and MacLeod, EC (2015). Echoes from the Dub Diaspora. Dancecult : Journal of Electronic Dance Music Culture. 7 (2). https://doi.org/10.12801/1947-5403.2015.07.02