The Evidence Chamber: Playful Science Communication and Research Through Digital Storytelling

Journal article

Barnard, D., Doran, H., McAlister, J., Briscoe, R., Hackman, L. and Nic Daeid, N. (2021). The Evidence Chamber: Playful Science Communication and Research Through Digital Storytelling. Frontiers in Communication. 6. https://doi.org/10.3389/fcomm.2021.786891
AuthorsBarnard, D., Doran, H., McAlister, J., Briscoe, R., Hackman, L. and Nic Daeid, N.
Abstract

In a courtroom, it is essential that the scientific evidence is both understandable and understood, so that the strengths and limitations of that evidence, within the context of a legal case, can inform decision making. The Evidence Chamber brings together entertainment, public engagement with science and research into a public performance activity that is centred around digital storytelling and science communication. This experience engages public audiences with science and allows a better understanding of how people interpret scientific evidence. In this paper, we discuss how we created this experience as an in-person and fully virtual performance through successful collaboration between forensic science research, public audiences, public engagement professionals, the legal profession, and digital performance artists.

Keywordsscience communication, forensic science, digital theatre, public engagement, digital narrative, interactive storytelling, law
Year2021
JournalFrontiers in Communication
Journal citation6
PublisherFrontiers Media
ISSN2297-900X
Digital Object Identifier (DOI)https://doi.org/10.3389/fcomm.2021.786891
Web address (URL)https://www.frontiersin.org/articles/10.3389/fcomm.2021.786891/full
Publication dates
Print08 Dec 2021
Publication process dates
Accepted16 Nov 2021
Deposited30 May 2023
Accepted author manuscript
License
File Access Level
Open
Permalink -

https://openresearch.lsbu.ac.uk/item/93zz3

Download files

Accepted author manuscript
The Evidence Chamber- Playful Science Communication and Research Through Digital Storytelling.pdf
License: CC BY 4.0
File access level: Open

  • 61
    total views
  • 33
    total downloads
  • 1
    views this month
  • 0
    downloads this month

Export as

Related outputs

INDCOR white paper on the Design of Complexity IDNs
Andrew Perkis, Mattia Bellini, Valentina Nisi, Maria Cecilia Reyes, Cristina Sylla, Mijalche Santa, Anna Zaluczkowska, Shafaq Irshad, Ágnes Bakk, Fanny Barnabé, Daniel Barnard, Nadia Boukhelifa, Øyvind Sørdal Klungre, Hartmut Koenitz, Vincenzo Lombardo, Mirjam Palosaari Elahdhari, Catia Prandi, Scott Rettberg, Anca Serbanescu, Sonia Sousa, Petros Stefaneas, Dimitar Uzunov, Mirjam Vosmeer, Marcin Wardaszko, Perkis, A., Bellini, M., Nisi, V., Reyes, M.C., Sylla, C., Santa, M., Zaluczkowska, A., Irshad, S., Bakk, A., Barnabé, F., Barnard, D., Boukhelifa, N., Klungre, Ø., Koenitz, H., Lombardo, V., Elahdhari, M.P., Prandi, C., Rettberg, S., Serbanescu, A., Sousa, S., Stefaneas, S., Uzunov, D., Vosmeer, M. and Wardaszko, M. (2023). INDCOR white paper on the Design of Complexity IDNs. Cornell University arXiv. https://doi.org/10.48550/arXiv.2305.01925
The Justice Syndicate: how interactive theatre provides a window into jury decision making and the public understanding of law
Barnard, D. and Meyer, K.D. (2020). The Justice Syndicate: how interactive theatre provides a window into jury decision making and the public understanding of law. Law and Humanities. 14 (2), pp. 212-243. https://doi.org/10.1080/17521483.2020.1801137
Approaches to understanding and using Katie Mitchell’s Events technique in professional and pedagogical contexts
Barnard, D. (2020). Approaches to understanding and using Katie Mitchell’s Events technique in professional and pedagogical contexts. Stanislavski Studies. https://doi.org/10.1080/20567790.2020.1771667
The Justice Syndicate: A Practice as Research Project exploring immersion and agency in actorless technologically-enabled interactive performance, juror behaviour and reasonable doubt.
Barnard, D. (2020). The Justice Syndicate: A Practice as Research Project exploring immersion and agency in actorless technologically-enabled interactive performance, juror behaviour and reasonable doubt. London South Bank University. https://doi.org/10.18744/lsbu.89060
The Justice Syndicate show structure
Barnard, D. (2020). The Justice Syndicate show structure.
The Justice Syndicate: evidence of performances
Barnard, D. (2020). The Justice Syndicate: evidence of performances.
Reviews and press coverage of The Justice Syndicate
Barnard, D. (2020). Reviews and press coverage of The Justice Syndicate.
The Justice Syndicate: Using iPads to increase the intensity of participation, conduct agency and encourage flow in live interactive performance
Barnard, D. (2020). The Justice Syndicate: Using iPads to increase the intensity of participation, conduct agency and encourage flow in live interactive performance. International Journal of Performance Arts and Digital Media. 16 (1), pp. 68-87. https://doi.org/10.1080/14794713.2020.1722916
Video Documentation of The Justice Syndicate
Barnard, D. (2018). Video Documentation of The Justice Syndicate. Youtube
fanSHEN’s Looking for Love: A Case Study in how Theatrical and Performative Practices Inform Interactive Digital Narratives
Barnard, D (2018). fanSHEN’s Looking for Love: A Case Study in how Theatrical and Performative Practices Inform Interactive Digital Narratives. International Conference on Interactive Digital Storytelling. Dublin, Ireland 05 - 08 Dec 2018 Springer, Cham. https://doi.org/10.1007/978-3-030-04028-4_47
Case study 2: Using games based on giant dice and time restrictions to enable creativity when teaching artistic or creative subjects
Barnard, D (2017). Case study 2: Using games based on giant dice and time restrictions to enable creativity when teaching artistic or creative subjects. International Journal of Game-Based Learning. 7 (3), pp. 87-92. https://doi.org/10.4018/IJGBL.2017070109