fanSHEN’s Looking for Love: A Case Study in how Theatrical and Performative Practices Inform Interactive Digital Narratives

Conference paper


Barnard, D (2018). fanSHEN’s Looking for Love: A Case Study in how Theatrical and Performative Practices Inform Interactive Digital Narratives. International Conference on Interactive Digital Storytelling. Dublin, Ireland 05 - 08 Dec 2018 Springer, Cham. https://doi.org/10.1007/978-3-030-04028-4_47
AuthorsBarnard, D
TypeConference paper
Abstract

This paper explores how theatrical and performative practices inform interactive digital narratives. It does this through a case study of Looking for Love, a new piece by fanSHEN. The creative process used to create Looking for Love is analysed in terms of its roots in theatrical processes, particularly in terms of characterization, the relationship between structure and improvisation, dramatic arc and the role of the spectator.

Keywordsinteractive digital narratives; interactive theatre; fanSHEN; Joe McAlister; machine learning; chatbot; privacy; intimacy
Year2018
Journalhttps://link.springer.com/chapter/10.1007/978-3-030-04028-4_47
PublisherSpringer, Cham
Digital Object Identifier (DOI)https://doi.org/10.1007/978-3-030-04028-4_47
Accepted author manuscript
License
File Access Level
Open
Publication dates
Print21 Nov 2018
Publication process dates
Deposited10 Dec 2018
Accepted11 Sep 2018
ISBN978-3-030-04027-7
Permalink -

https://openresearch.lsbu.ac.uk/item/86890

Download files


Accepted author manuscript
ICIDS Paper Draft 5 Dan Barnard.docx
License: CC BY 4.0
File access level: Open

  • 124
    total views
  • 107
    total downloads
  • 0
    views this month
  • 1
    downloads this month

Export as

Related outputs

INDCOR white paper on the Design of Complexity IDNs
Andrew Perkis, Mattia Bellini, Valentina Nisi, Maria Cecilia Reyes, Cristina Sylla, Mijalche Santa, Anna Zaluczkowska, Shafaq Irshad, Ágnes Bakk, Fanny Barnabé, Daniel Barnard, Nadia Boukhelifa, Øyvind Sørdal Klungre, Hartmut Koenitz, Vincenzo Lombardo, Mirjam Palosaari Elahdhari, Catia Prandi, Scott Rettberg, Anca Serbanescu, Sonia Sousa, Petros Stefaneas, Dimitar Uzunov, Mirjam Vosmeer, Marcin Wardaszko, Perkis, A., Bellini, M., Nisi, V., Reyes, M.C., Sylla, C., Santa, M., Zaluczkowska, A., Irshad, S., Bakk, A., Barnabé, F., Barnard, D., Boukhelifa, N., Klungre, Ø., Koenitz, H., Lombardo, V., Elahdhari, M.P., Prandi, C., Rettberg, S., Serbanescu, A., Sousa, S., Stefaneas, S., Uzunov, D., Vosmeer, M. and Wardaszko, M. (2023). INDCOR white paper on the Design of Complexity IDNs. Cornell University arXiv. https://doi.org/10.48550/arXiv.2305.01925
The Evidence Chamber: Playful Science Communication and Research Through Digital Storytelling
Barnard, D., Doran, H., McAlister, J., Briscoe, R., Hackman, L. and Nic Daeid, N. (2021). The Evidence Chamber: Playful Science Communication and Research Through Digital Storytelling. Frontiers in Communication. 6. https://doi.org/10.3389/fcomm.2021.786891
The Justice Syndicate: how interactive theatre provides a window into jury decision making and the public understanding of law
Barnard, D. and Meyer, K.D. (2020). The Justice Syndicate: how interactive theatre provides a window into jury decision making and the public understanding of law. Law and Humanities. 14 (2), pp. 212-243. https://doi.org/10.1080/17521483.2020.1801137
Approaches to understanding and using Katie Mitchell’s Events technique in professional and pedagogical contexts
Barnard, D. (2020). Approaches to understanding and using Katie Mitchell’s Events technique in professional and pedagogical contexts. Stanislavski Studies. https://doi.org/10.1080/20567790.2020.1771667
The Justice Syndicate: A Practice as Research Project exploring immersion and agency in actorless technologically-enabled interactive performance, juror behaviour and reasonable doubt.
Barnard, D. (2020). The Justice Syndicate: A Practice as Research Project exploring immersion and agency in actorless technologically-enabled interactive performance, juror behaviour and reasonable doubt. London South Bank University. https://doi.org/10.18744/lsbu.89060
The Justice Syndicate show structure
Barnard, D. (2020). The Justice Syndicate show structure.
The Justice Syndicate: evidence of performances
Barnard, D. (2020). The Justice Syndicate: evidence of performances.
Reviews and press coverage of The Justice Syndicate
Barnard, D. (2020). Reviews and press coverage of The Justice Syndicate.
The Justice Syndicate: Using iPads to increase the intensity of participation, conduct agency and encourage flow in live interactive performance
Barnard, D. (2020). The Justice Syndicate: Using iPads to increase the intensity of participation, conduct agency and encourage flow in live interactive performance. International Journal of Performance Arts and Digital Media. 16 (1), pp. 68-87. https://doi.org/10.1080/14794713.2020.1722916
Video Documentation of The Justice Syndicate
Barnard, D. (2018). Video Documentation of The Justice Syndicate. Youtube
Case study 2: Using games based on giant dice and time restrictions to enable creativity when teaching artistic or creative subjects
Barnard, D (2017). Case study 2: Using games based on giant dice and time restrictions to enable creativity when teaching artistic or creative subjects. International Journal of Game-Based Learning. 7 (3), pp. 87-92. https://doi.org/10.4018/IJGBL.2017070109