Conspiracy Archives a process archive of an archival process

Journal article


Ginslov, J., Kozel, S., Guðjónsdóttir, M.S. and Lim, K. (2019). Conspiracy Archives a process archive of an archival process. Researching (in/as) Motion. 10.
AuthorsGinslov, J., Kozel, S., Guðjónsdóttir, M.S. and Lim, K.
Abstract

This resource reflects artistic research into archiving a choreographic process using digital and analogue materials (including bodies). It is a process archive of an archival process, structured around Critical Questions, Process Notes (taking the form of phenomenological writing and visual imagery) and Design Prototypes. The artistic research at the centre of this resource is the production of a Mixed Reality (MR) archival complement to Margrét Sara Guðjónsdóttir’s performance of Conspiracy Ceremony – HYPERSONIC STATES. The archival work is called Conspiracy Archives and it is currently in its final prototype phase, almost ready to tour either independently or along with the live performance. It is created by the collaborative team of Margrét Sara Guðjónsdóttir (choreography), Jeannette Ginslov (visual capture and editing), Keith Lim (visual processing and programming) and Susan Kozel (project coordination, philosophy and concept). This resource integrates the voices of the collaborators using words, still images, video and design prototypes.

Year2019
JournalResearching (in/as) Motion
Journal citation10
Web address (URL)https://nivel.teak.fi/adie/conspiracy-archives/
Publication dates
OnlineOct 2019
Publication process dates
Deposited13 Nov 2020
Accepted author manuscript
License
File Access Level
Open
Additional information

ISBN 978-952-353-012-6

Permalink -

https://openresearch.lsbu.ac.uk/item/8v082

Download files

  • 113
    total views
  • 71
    total downloads
  • 4
    views this month
  • 1
    downloads this month

Export as

Related outputs

DEEP FLOW: an embodied materiality of dance, technology, and bodily experience
Ginslov, J. (2022). DEEP FLOW: an embodied materiality of dance, technology, and bodily experience. Body, Space & Technology. 21 (1). https://doi.org/10.16995/bst.8118
Deep Flow: a tentacular worlding of dance, biosensor technology, lived experience and embodied materials of the human and non-humankind
Ginslov, J. (2021). Deep Flow: a tentacular worlding of dance, biosensor technology, lived experience and embodied materials of the human and non-humankind. PhD Thesis London South Bank University School of Arts and Creative Industries https://doi.org/10.18744/lsbu.97xyx
Deep Flow: a tentacular worlding of dance, biosensor technology, lived experience and embodied materials of the human and non-humankind
Ginslov, J. (2021). Deep Flow: a tentacular worlding of dance, biosensor technology, lived experience and embodied materials of the human and non-humankind. PhD Thesis https://doi.org/10.18744/lsbu.93xzv
“Tentacular Worlding” an Assemblage of Dance, Technology and Lived Experience Through Embodied Relational Biofeedback and Materials of the Human and Non-Humankind
Ginslov, J. (2019). “Tentacular Worlding” an Assemblage of Dance, Technology and Lived Experience Through Embodied Relational Biofeedback and Materials of the Human and Non-Humankind. 'On the Notion of Practice' . Dansehallerne Copenhagen 08 - 10 May 2019
Reflecting on the Experience the Self in the Smart City
Ginslov, J. and Spikol, D. (2019). Reflecting on the Experience the Self in the Smart City. Symposium on Digital Urbanism. Blekinge Institute of Technology, Campus Karlshamn, Sweden 14 - 15 Nov 2019
The Poetics of Temporal Scaffolding and Porosity: Sharing Affect and Memory
Ginslov, J. The Poetics of Temporal Scaffolding and Porosity: Sharing Affect and Memory. Technological Poetics in the Performing Arts in Repertoire Magazine. 20 (28). https://doi.org/10.9771/r.v0i28.25008
Temporal Scaffolding: A Collaborative and Networked Infrastructure of Techne, Screendance, AR, Affect, Audiences and Smart Mobile Devices in the Project AffeXity
Ginslov, J. (2016). Temporal Scaffolding: A Collaborative and Networked Infrastructure of Techne, Screendance, AR, Affect, Audiences and Smart Mobile Devices in the Project AffeXity . in: Intersecting Art and Technology in Practice. Techne/Technique /Technology. New York Routledge (Taylor & Francis Group). pp. 112-127