The Brutalist Playground - portfolio

Portfolio


Terrill, S. and Assemble (2019). The Brutalist Playground - portfolio. London South Bank University. https://doi.org/10.18744/lsbu.8v97w
CreatorsTerrill, S. and Assemble
KeywordsBrutalism, Architecture, Sculpture, Play
Year2019
PublisherLondon South Bank University
Digital Object Identifier (DOI)https://doi.org/10.18744/lsbu.8v97w
FileThe Brutalist Playground REF Output_2.pdf
Brutalist Playground catalogue.pdf
2. S1Artspace_Catalogue.pdf
Newspaper_Brutalist Playground_DE_EN_low.pdf
4. Parallel (of Life and) Architecture.pdf
5. Smithsons Symposium.pdf
6. Lekeplass_reader.pdf
Funder/ClientRoyal Institute of British Architects
Arts Council England
REF portfolio description

The Brutalist Playground is a collaboration between Turner Prize winners Assemble and artist Simon Terrill, commissioned by the Royal Institute of British Architects (RIBA) London. Archival materials from RIBA’s collections are used to recreate demolished Brutalist playgrounds as hybrid architectural installations and walk-through sculptures. The objects are reconstructions at 1:1 scale derived from the architects’ original plans, remade in foam and accompanied by a multi-screen video that contextualises the work in a post-war architectural frame. The structure of the collaboration is open and horizontal, a deliberate choice not to separate out roles or identify specific contributions.

The first exhibition was staged at The Architecture Gallery, RIBA, London, June - August 2015 and has subsequently toured 5 venues internationally (2016 – 2019), accompanied by a range of public programmes. In each venue a new structure is added to the exhibition based on a local reference of a post-war play structure, building the collection and connecting with local audiences.

The interactive work allows visitors to explore the original spatial concepts of Brutalism and adds to broader conversations through a reflection on play, risk, social housing and the welfare state that originally produced the structures. Brutalist structures were defined as much by what surrounded them, the open spaces, walkways, ramps, service areas and playgrounds, as the structures themselves. What form did these spaces take and what purposes were prescribed to them? How does the language of Brutalism manifest in programs such as play? What are the equivalent spaces in recent developments? How does Brutalism’s relationship with play differ internationally? Rather than a museum show that examines and documents, the installation is an active, collaborative, contemporary space designed for use and interaction, where the viewer becomes participant and in this way completes the work.

Publication process dates
Deposited05 Mar 2021
Permalink -

https://openresearch.lsbu.ac.uk/item/8v97w

  • 190
    total views
  • 1548
    total downloads
  • 2
    views this month
  • 28
    downloads this month

Export as

Related outputs

Crowd as image, crowd as method
Terrill, S. (2024). Crowd as image, crowd as method. Helsinki Photomedia 2024. Dipoli, Aalto University, Otakaari 24, 02150 Espoo, Finland 11 - 13 Apr 2024
Seething Lane
Terrill, S. (2023). Seething Lane. Sutton Gallery, Melbourne 15 Apr - 13 May 2023
Civilization: The Way We Live Now
Terrill, S. Civilization: The Way We Live Now. 13 Sep 2019 - 01 Feb 2020
Home Work 2020
Terrill, S. Alexander, D. (ed.) (2020). Home Work 2020. London Ottoby Press.
Crowd Theory - portfolio
Terrill, S. (2020). Crowd Theory - portfolio. London South Bank University. https://doi.org/10.18744/lsbu.8v9yz
Crowd Theory / Snuff Puppets
Terrill, Simon (2019). Crowd Theory / Snuff Puppets.
Exchange Value
Terrill, S. (2019). Exchange Value.
Like Fire Walk With Me
Terrill, Simon (2019). Like Fire Walk With Me. Sutton Gallery, 254 Brunswick Street, Fitzroy 3065, Victoria, Australia 02 Feb - 02 Mar 2019
Simon Terrill: Crowd Theory 2004-18, Perspectives, Notes and Comments
Palmer, D, Minton, A, Faust, C, Fite-Wassilak, C, Mulvey, M and Terrill, S. (2019). Simon Terrill: Crowd Theory 2004-18, Perspectives, Notes and Comments. Centre For Contemporary Photography.
Crowd
Terrill, Simon and Alexander, D. (2019). Crowd. London Self Published Artist Book.
Simon Terrill: Crowd Theory Survey Exhibition
Terrill, S (2019). Simon Terrill: Crowd Theory Survey Exhibition.
Crowd Theory Thamesmead
Terrill, Simon (2017). Crowd Theory Thamesmead. The Link, Thamesmead 07 Jul - 18 Aug 2017
Sources of inspiration: from the monument tothe ordinary
Terrill, S (2017). Sources of inspiration: from the monument tothe ordinary. Alison and Peter Smithson: Ideas, Impact, Architecture. Edge Theatre, The Edge, University of Bath, Bath UK 04 Nov 2017
Parallel (of Life and) Architecture: The Ostrich and the Kipper
Terrill, S (2017). Parallel (of Life and) Architecture: The Ostrich and the Kipper.
South of the River: Crowd Theory
Terrill, S (2016). South of the River: Crowd Theory. National Portrait Gallery, London 10 Jun - 06 Sep 2016
36 Views of Orbit
Terrill, S (2016). 36 Views of Orbit. London Simon Terrill.
Nouns of Assembly
Terrill, S (2016). Nouns of Assembly.
The Brutalist Playground, RIBA
Terrill, S. and Assemble (2015). The Brutalist Playground, RIBA . Vitra Design Museum 14 Jan - 30 Apr 2017
Ideas Series: Crowd Theory
Terrill, S (2014). Ideas Series: Crowd Theory. photoworks https://photoworks.org.uk.
Welcome to the High Rise
Terrill, S and Faust, C (2012). Welcome to the High Rise. London Simon Terrill.