(Re)Coding the Past for the Future.

Journal article


Dekker, A. (2018). (Re)Coding the Past for the Future. Proceedings ISEA2018.
AuthorsDekker, A.
Abstract

In light of increasing social unrest and wars around the globe, a growing number of not-for-profit organizations and commercial businesses are trying to fill the gaps that befall cultural heritage sites due to bomb strikes and looting. 3D scanning and printing are among the main vehicles to restore cultural heritage by generating detailed copies of an artifact, building or even site. In terms of accessibility and preservation there are undeniable benefits, but in what ways do these technologies affect cultural heritage politics? While commercial businesses profit from selling copyrighted files, or by providing restricted access, several artists’ initiatives try to counter these practices. Even though they use similar technology, their aim is to empower people by giving them control over their lost heritage. These ‘decolonial’ practices signify a desire to overcome or resist a colonial conditioning, favoring collaboration and freely sharing over individual and/or monetary gains. In the process, such examples challenge the conventional meaning of value, which is dictated by the market and based on copyrights around authorship and ownership. Instead what is valued and becomes valuable is belonging to a wider community in which control over (re)use is embedded in the network.

Year2018
JournalProceedings ISEA2018
Web address (URL)http://www.isea-archives.org/docs/2018/proceedings/ISEA2018_Proceedings.pdf
Publication dates
Print2018
Publication process dates
Deposited16 Dec 2020
Accepted author manuscript
License
All rights reserved
File Access Level
Open
Permalink -

https://openresearch.lsbu.ac.uk/item/8v220

Download files


Accepted author manuscript
article_isea2018.pdf
License: All rights reserved
File access level: Open

  • 95
    total views
  • 45
    total downloads
  • 1
    views this month
  • 3
    downloads this month

Export as

Related outputs

The Art and Care of Curating Online
Dekker, A. (2021). The Art and Care of Curating Online. in: Barranha, H. and Henriques, J.S. (ed.) Art, Museums and Digital Cultures. Rethinking Change Institute of Art History, School of Social Sciences and Humanities, Universidade NOVA de Lisboa, in association with maat - Museum of Art, Architecture and Technology. pp. 42–51
Archival Absurdity, or a walk in the park.
Dekker, A. (2021). Archival Absurdity, or a walk in the park. in: Billimore, Y. and Koileta, J. (ed.) Rehearsing Hospitalities. Companion 2 Frame, Helsinki. pp. 47-64
Affordances of the Networked Image
Cox, G., Dewdney, A., Dekker, A. and Sluis, K. (2021). Affordances of the Networked Image. The Nordic Journal of Aesthetics. 30 (61-62), pp. 40-45.
Innovative Digital Infrastructures: The Issue of Sustainability
Dekker, A., J. Oomen, H. van Lente, G. Wijers, G. Mul, M. Ras, V. van Saaze and C. Rasterhoff (2020). Innovative Digital Infrastructures: The Issue of Sustainability. Stedelijk Studies. https://doi.org/10.54533/stedstud.vol010.art02
Armazenamento de culturas online e o storytelling como método
Dekker, A. Armazenamento de culturas online e o storytelling como método. in: Art es Digitaies University of Minas Gerais. pp. 89-114
Between Light and Dark Archiving
Dekker, A. (2019). Between Light and Dark Archiving. in: Hoth, J. and Wandl-Vogt, E. (ed.) Digital Art through the Looking Glass. New Strategies for Archiving, Collecting and Preserving in Digital Humanities Edition Donau-Universität.
Capturing online cultures, or storytelling as method
Dekker, A. (2019). Capturing online cultures, or storytelling as method. Jaarboek Stichting Archiefpublicaties. Preserveren: Stappen zetten in een nieuw vakgebied. 19.
Archiving Complex Digital Artworks
Barok, D., Boschat Thorez, J., Dekker, A., Gauthier, D. and Roeck, C. (2019). Archiving Complex Digital Artworks. Journal of the Institute of Conservation. 42 (2), pp. 94-113. https://doi.org/10.1080/19455224.2019.1604398
Networked Co-Curation: An Exploration of the Socio-Technical Specificities of Online Curation
Dekker, A. and Tedone, G. (2019). Networked Co-Curation: An Exploration of the Socio-Technical Specificities of Online Curation. Arts. 8 (3), p. 86. https://doi.org/10.3390/arts8030086
Enduring Liveness: An Imaginary Retrospective of Tino Sehgal’s Constructed Situations
Dekker, A. (2018). Enduring Liveness: An Imaginary Retrospective of Tino Sehgal’s Constructed Situations. Seoul 06 Sep - 18 Nov 2018
Collecting as a Creative and Collaborative Process: Annet Dekker in conversation with Nadine Wietlisbach
Dekker, A. Collecting as a Creative and Collaborative Process: Annet Dekker in conversation with Nadine Wietlisbach. in: Gassert, D.; Seelig, T.; F. (ed.) 25 YEARS! Fotomuseum Winterthur: Shared Histories, Shared Stories Spector Books. pp. 357-367
Put Evaluation into Practice: The Collaborative Residency Life Cycle
Dekker, A. and Wolfsberger, A (2018). Put Evaluation into Practice: The Collaborative Residency Life Cycle. ISEA. Durban 23 - 30 Jun 2018
Collecting and Conserving Net Art: Moving beyond Conventional Methods
Dekker, A. (2018). Collecting and Conserving Net Art: Moving beyond Conventional Methods. oxon Routledge.
How much of this is fiction
Dekker, A. (2017). How much of this is fiction. Amsterdam, Basel, Liverpool Jan - Jun 2016
Interdisciplinary Discussions about the Conservation of Software-Based Art.
Dekker, A. and Falcao, P. Interdisciplinary Discussions about the Conservation of Software-Based Art. London Tate, PERICLES.
Expanding Documentation, or making the most of the cracks in the wall
Dekker, A., Giannachi, G. and Van Saaze, V. (2017). Expanding Documentation, or making the most of the cracks in the wall. in: Sant, T. (ed.) Documenting Performance. The Context and Processes of Digital Curation and Archiving Bloomsbury. pp. 61-78
Olia Lialina: My Boyfriend Came Back From The War. online since 1996
Dekker, A. (2016). Olia Lialina: My Boyfriend Came Back From The War. online since 1996. Eindhoven 19 Feb - 20 Mar 2016
Tracing Authenticity in the Computational Age
Dekker, A. Tracing Authenticity in the Computational Age. in: Robertson, F. (ed.) Authenticity in Transition Archetype Publications. pp. 179-188
Enabling a Future, or How to Survive FOREVER
Dekker, A. (2016). Enabling a Future, or How to Survive FOREVER. in: A Companion to Digital Art Wiley-Blackwell. pp. 557-568
What We Talk About When We Talk About Online Cultures.
Dekker, A. (2016). What We Talk About When We Talk About Online Cultures. 5th Computer Art Congress [CAC.5]. Brasil 2016 - 2017