Capturing online cultures, or storytelling as method

Journal article


Dekker, A. (2019). Capturing online cultures, or storytelling as method. Jaarboek Stichting Archiefpublicaties. Preserveren: Stappen zetten in een nieuw vakgebied. 19.
AuthorsDekker, A.
Abstract

Much progress has been made in developing tools, models, strategies and other methods to preserve or document websites2, but successful Web preservation also requires comprehending how the dynamic environment in which components thrive can be captured. To enable a future reconstruction of aesthetics, accountability or heritage, it is crucial to understand the context in which these websites functioned. Within the short span of a mere twenty years people have become accustomed to browsing the Web, finding all kinds of information by simply clicking from link to link. While information steams by, the context of how the information surfaces, what strata one search or the click on one link can cause is forgotten immediately since the new is there within milliseconds. The dynamics of the Web have become invisible to many of its users and the way data comes into being is forgotten. Focusing on the preservation of art on the Web, in what follows I will emphasize the importance of capturing the broader environment of platforms and social interactions in which many of these artworks thrive. Next to highlighting some of the difficulties in preserving these contexts, I explore storytelling as a method to develop and enrich a historic understanding of online cultures.

Year2019
JournalJaarboek Stichting Archiefpublicaties. Preserveren: Stappen zetten in een nieuw vakgebied
Journal citation19
Web address (URL)https://kia.pleio.nl/file/download/55808384/Sap%20Jaarboek%2019_LR_interactief%202.pdf
Publication dates
Online07 Oct 2019
Publication process dates
Deposited15 Dec 2020
Accepted author manuscript
License
File Access Level
Open
Permalink -

https://openresearch.lsbu.ac.uk/item/8v20w

Download files


Accepted author manuscript
article_sap_annetdekker.pdf
License: CC BY 4.0
File access level: Open

  • 101
    total views
  • 117
    total downloads
  • 0
    views this month
  • 1
    downloads this month

Export as

Related outputs

The Art and Care of Curating Online
Dekker, A. (2021). The Art and Care of Curating Online. in: Barranha, H. and Henriques, J.S. (ed.) Art, Museums and Digital Cultures. Rethinking Change Institute of Art History, School of Social Sciences and Humanities, Universidade NOVA de Lisboa, in association with maat - Museum of Art, Architecture and Technology. pp. 42–51
Archival Absurdity, or a walk in the park.
Dekker, A. (2021). Archival Absurdity, or a walk in the park. in: Billimore, Y. and Koileta, J. (ed.) Rehearsing Hospitalities. Companion 2 Frame, Helsinki. pp. 47-64
Affordances of the Networked Image
Cox, G., Dewdney, A., Dekker, A. and Sluis, K. (2021). Affordances of the Networked Image. The Nordic Journal of Aesthetics. 30 (61-62), pp. 40-45.
Innovative Digital Infrastructures: The Issue of Sustainability
Dekker, A., J. Oomen, H. van Lente, G. Wijers, G. Mul, M. Ras, V. van Saaze and C. Rasterhoff (2020). Innovative Digital Infrastructures: The Issue of Sustainability. Stedelijk Studies. https://doi.org/10.54533/stedstud.vol010.art02
Armazenamento de culturas online e o storytelling como método
Dekker, A. Armazenamento de culturas online e o storytelling como método. in: Art es Digitaies University of Minas Gerais. pp. 89-114
Between Light and Dark Archiving
Dekker, A. (2019). Between Light and Dark Archiving. in: Hoth, J. and Wandl-Vogt, E. (ed.) Digital Art through the Looking Glass. New Strategies for Archiving, Collecting and Preserving in Digital Humanities Edition Donau-Universität.
Archiving Complex Digital Artworks
Barok, D., Boschat Thorez, J., Dekker, A., Gauthier, D. and Roeck, C. (2019). Archiving Complex Digital Artworks. Journal of the Institute of Conservation. 42 (2), pp. 94-113. https://doi.org/10.1080/19455224.2019.1604398
Networked Co-Curation: An Exploration of the Socio-Technical Specificities of Online Curation
Dekker, A. and Tedone, G. (2019). Networked Co-Curation: An Exploration of the Socio-Technical Specificities of Online Curation. Arts. 8 (3), p. 86. https://doi.org/10.3390/arts8030086
Enduring Liveness: An Imaginary Retrospective of Tino Sehgal’s Constructed Situations
Dekker, A. (2018). Enduring Liveness: An Imaginary Retrospective of Tino Sehgal’s Constructed Situations. Seoul 06 Sep - 18 Nov 2018
(Re)Coding the Past for the Future.
Dekker, A. (2018). (Re)Coding the Past for the Future. Proceedings ISEA2018.
Collecting as a Creative and Collaborative Process: Annet Dekker in conversation with Nadine Wietlisbach
Dekker, A. Collecting as a Creative and Collaborative Process: Annet Dekker in conversation with Nadine Wietlisbach. in: Gassert, D.; Seelig, T.; F. (ed.) 25 YEARS! Fotomuseum Winterthur: Shared Histories, Shared Stories Spector Books. pp. 357-367
Put Evaluation into Practice: The Collaborative Residency Life Cycle
Dekker, A. and Wolfsberger, A (2018). Put Evaluation into Practice: The Collaborative Residency Life Cycle. ISEA. Durban 23 - 30 Jun 2018
Collecting and Conserving Net Art: Moving beyond Conventional Methods
Dekker, A. (2018). Collecting and Conserving Net Art: Moving beyond Conventional Methods. oxon Routledge.
How much of this is fiction
Dekker, A. (2017). How much of this is fiction. Amsterdam, Basel, Liverpool Jan - Jun 2016
Interdisciplinary Discussions about the Conservation of Software-Based Art.
Dekker, A. and Falcao, P. Interdisciplinary Discussions about the Conservation of Software-Based Art. London Tate, PERICLES.
Expanding Documentation, or making the most of the cracks in the wall
Dekker, A., Giannachi, G. and Van Saaze, V. (2017). Expanding Documentation, or making the most of the cracks in the wall. in: Sant, T. (ed.) Documenting Performance. The Context and Processes of Digital Curation and Archiving Bloomsbury. pp. 61-78
Olia Lialina: My Boyfriend Came Back From The War. online since 1996
Dekker, A. (2016). Olia Lialina: My Boyfriend Came Back From The War. online since 1996. Eindhoven 19 Feb - 20 Mar 2016
Tracing Authenticity in the Computational Age
Dekker, A. Tracing Authenticity in the Computational Age. in: Robertson, F. (ed.) Authenticity in Transition Archetype Publications. pp. 179-188
Enabling a Future, or How to Survive FOREVER
Dekker, A. (2016). Enabling a Future, or How to Survive FOREVER. in: A Companion to Digital Art Wiley-Blackwell. pp. 557-568
What We Talk About When We Talk About Online Cultures.
Dekker, A. (2016). What We Talk About When We Talk About Online Cultures. 5th Computer Art Congress [CAC.5]. Brasil 2016 - 2017