Co-creating in the Networks: A Reply to “What is 21st Century Photography?” [Internet Publication]

Other


Dewdney, A (2017). Co-creating in the Networks: A Reply to “What is 21st Century Photography?” [Internet Publication]. The Photographers' Gallery.
AuthorsDewdney, A
Abstract

In this new essay, writer and researcher Andrew Dewdney responds to Daniel Rubinstein’s essay What is 21st Century Photography? published by The Photographers’ Gallery in July 2015. The new conditions of accelerated capitalism and its computational logic does demand that we un-think photography as it has been known. This requires new research strategies, which go beyond enquiries by single academic knowledge disciplines or the individual practices of photography and art. A transdisciplinary approach to understanding the interface between mathematical and cultural coding is needed in order to engage productively with the flat topology of the computer screen. A complete rethink of the boundaries between art, media, society and technology is needed. Art as photography and photography as art is a busted flush trumped by the Internet and its networks.

KeywordsNetworked Culture; Digital Photography; Theory
Year2017
PublisherThe Photographers' Gallery
Web address (URL)https://thephotographersgalleryblog.org.uk/
Publication dates
Print01 Feb 2017
Publication process dates
Deposited07 Jun 2018
Publisher's version
License
Permalink -

https://openresearch.lsbu.ac.uk/item/87095

Download files

  • 230
    total views
  • 129
    total downloads
  • 6
    views this month
  • 1
    downloads this month

Export as

Related outputs

Forget Photography: The Arts Council and the Disappearance of Independent Photography in Neoliberal Britain.
Dewdney, A. (2021). Forget Photography: The Arts Council and the Disappearance of Independent Photography in Neoliberal Britain. Concerning Photography: The Photographers’ Gallery and Photographic Networks in Britain, c. 1971 to the present. Online 25 Nov - 02 Dec 2021
ZOMBIE PHOTOGRAPHY: WHAT IS THE PHOTOGRAPHIC IMAGE STILL DOING?
Dewdney, A. (2021). ZOMBIE PHOTOGRAPHY: WHAT IS THE PHOTOGRAPHIC IMAGE STILL DOING? FotoMuseum .
Forget Photography Chapter 1
Dewdney, A. (2021). Forget Photography Chapter 1. Goldsmith Press London Goldsmiths, University of London.
Affordances of the Networked Image
Cox, G., Dewdney, A., Dekker, A. and Sluis, K. (2021). Affordances of the Networked Image. The Nordic Journal of Aesthetics. 30 (61-62), pp. 40-45.
Modelling Cultural Value within New Media Cultures and Networked Participation
Walsh, V, Dewdney, A, Pringle, E, Tate, AHRC and LSBU (2014). Modelling Cultural Value within New Media Cultures and Networked Participation. Tate Royal College of Art/AHRC/Tate.
The distributed museum: the flight of cultural authority and the multiple times and spaces of the art museum.
Dewdney, A (2019). The distributed museum: the flight of cultural authority and the multiple times and spaces of the art museum. in: Lewi, H, Smith, W, Cooke, S and von Lehn, D (ed.) International Handbook in New Digital Practices in Galleries, Libraries Archives, Museums and Heritage Sites New York Routledge.
Art museum knowledge and the crisis of representation
Dewdney, A (2017). Art museum knowledge and the crisis of representation. in: Morsch, C and Schade, S (ed.) Representing Art Education: On the Representation of Pedagogical Work in the Art Field Vienna Zaglossus, Verlag.
The University of YouTube: the medium, the user, photography and the search for really useful knowledge. [Internet Publication]
Dewdney, A (2016). The University of YouTube: the medium, the user, photography and the search for really useful knowledge. [Internet Publication]. The Photographers' Gallery.
What Is the current fascination with VR on the part of museums and art galleries?
Dewdney, A (2018). What Is the current fascination with VR on the part of museums and art galleries? Contemporary Art Society Annual Conference: The Virtual in Museums: Hot Medium?. National Gallery, London 10 May 2018
Photography Remoulded
Dewdney, A (2018). Photography Remoulded. New Formations: A Journal of Culture, Theory, Politics. 94, pp. 166-170.
Curating the Photographic Image in Networked Culture
Dewdney, A (2014). Curating the Photographic Image in Networked Culture. Kraesj! Brytninger i fotoarkivet. Oslo, Norway 05 - 06 May 2014 Olso, Norway Kulturradet (Arts Council Norway).
Temporal Conflicts and the Purification of Hybrids in the 21st Century Art Museum: Tate, a Case in Point.
Dewdney, A and Walsh, V (2017). Temporal Conflicts and the Purification of Hybrids in the 21st Century Art Museum: Tate, a Case in Point. Stedlijk Studies. 5.
Museums, Scholarly Enterprise and Global Assemblages: A Response to ‘Artifacts and Allegiances: How Museums Put the Nation and the World on Display’
Dewdney, A (2016). Museums, Scholarly Enterprise and Global Assemblages: A Response to ‘Artifacts and Allegiances: How Museums Put the Nation and the World on Display’. Identities: Global Studies in Culture and Power. 24 (1), pp. 6-12. https://doi.org/10.1080/1070289X.2016.1260021