Film and Media
| Type | Division |
|---|---|
| School | Arts and Creative Industries |
Latest research outputs
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South of the River: Crowd Theory
Terrill, S (2016). South of the River: Crowd Theory. National Portrait Gallery, London 10 Jun - 06 Sep 2016Exhibition
Nouns of Assembly
Terrill, S (2016). Nouns of Assembly.Exhibition
How To Photograph Onion Skins
Brown, A (2016). How To Photograph Onion Skins. Unthinking Photography.Journal article
A Sentimental Analysis Tool for Determining the Promotional Success of Fashion Images on Instagram
Tallent, G, Galal, D and Abdelfattah, M (2016). A Sentimental Analysis Tool for Determining the Promotional Success of Fashion Images on Instagram. 1st BUE Annual Conference & Exhibition. Cairo, Egypt 07 - 09 Nov 2016Conference item
Museums, Scholarly Enterprise and Global Assemblages: A Response to ‘Artifacts and Allegiances: How Museums Put the Nation and the World on Display’
Dewdney, A (2016). Museums, Scholarly Enterprise and Global Assemblages: A Response to ‘Artifacts and Allegiances: How Museums Put the Nation and the World on Display’. Identities: Global Studies in Culture and Power. 24 (1), pp. 6-12. https://doi.org/10.1080/1070289X.2016.1260021Journal article
Reading the morphology of Ben Rivers’s chemical landscapes
Tarrant, PA (2016). Reading the morphology of Ben Rivers’s chemical landscapes. Moving Image Review & Art Journal (MIRAJ). 5 (1-2), pp. 58 - 69 (11). https://doi.org/10.1386/miraj.5.1-2.58_1Journal article
The Brutalist Playground, RIBA
Terrill, S. and Assemble (2015). The Brutalist Playground, RIBA . Vitra Design Museum 14 Jan - 30 Apr 2017Exhibition
Generator: the value of software art
Cox, Geoff Generator: the value of software art. in: Shanken, Edward A (ed.) Systems MIT Press. pp. 186-189Book chapter
TV Production in the Academy: Bringing Commercial Practices into the Classroom
Brown, L. (2015). TV Production in the Academy: Bringing Commercial Practices into the Classroom. New Directions in Film & TV Production Studies for University of West of England & Royal Television Society Bristol. Watershed, UWE Brisol, UK 14 - 15 Apr 2015Conference presentation
A Peer-reviewed Newspaper About_ Datafied Research
Cox, G., Rossiter, N., Ridgway, R., Charlton, J., Samson, A., Gallardo, F., Stoyanova, M., Soon, W., Olsen, L.M., Howe, D.C., Andersen, C.U. and Pold, S. (2015). A Peer-reviewed Newspaper About_ Datafied Research. Aarhus Aarhus University.Other
Crítica de la violencia software
Cox, G. (2015). Crítica de la violencia software. Concreta. 05, pp. 28-39.Journal article
Datafied Research - Editorial
Andersen, C.U. and Cox, G. (2015). Datafied Research - Editorial. APRJA. 4 (1).Journal article
Archiving the Databody: Human and Nonhuman Agency in the Documents of Erkki Kurenniemi
Cox, G., Malevé, N. and Murtaugh, M. (2015). Archiving the Databody: Human and Nonhuman Agency in the Documents of Erkki Kurenniemi. in: Krysa, J. and Parikka, J. (ed.) Writing and UnWriting Media (Art) History: Erkki Kurenniemi in 2048 Cambridge, Mass. MIT Press. pp. 125-142Book chapter
Postscript on the Post-digital and the Problem of Temporality
Cox, G (2015). Postscript on the Post-digital and the Problem of Temporality. in: Dieter, M. and Berry, D. M. (ed.) Postdigital Aesthetics: Art, Computation and Design London Palgrave Macmillan. pp. 151-162Book chapter
Real-time for Pirate Cinema
Cox, Geoff Janša, J. (ed.) (2015). Real-time for Pirate Cinema. Aksioma.Book
Radio Buncefield at Punto de Fuga
Brown, A (2015). Radio Buncefield at Punto de Fuga. Punto de Fuga, Paris, France 12 2015 - 16 Nov 2016Exhibition
Buncefield Soundsystem
Brown, A (2015). Buncefield Soundsystem. The Photographer's Gallery, London 24 - 24 Oct 2015Performance
World in Motion: Films from the Collection of the Museum of Ordure
Cox, G., Brisley, S. and Balcioglu, M. (2014). World in Motion: Films from the Collection of the Museum of Ordure.Exhibition
Studio Television Production – How to make programmes within a Commercial and Academic Context
Brown, L. (2014). Studio Television Production – How to make programmes within a Commercial and Academic Context. Sightlines: Filmmaking in the Academy. Melbourne, Australia 24 - 25 Nov 2014Conference presentation
Mother's Day
Brown, L. (2014). Mother's Day. Sightlines: Filmmaking in the Academy conference. Melbourne 24 - 25 Nov 2014Conference paper
A Peer-reviewed Newspaper About_ Post-digital Research
Cox, G., Andersen, C.U., Allen, J., Bosma, J., Charlton, J., Chattopadhyay, B., Cramer, F., Fritsch, J., Gauthier, D., Jackson, R., Lawrie, M., Ludovico, A., Nolan, K., Papadopoulos, G., Philipsen, L., Pold, S., Riis, M., Snodgrass, E., Thomsen, B.M.S. and Soon, W. (2014). A Peer-reviewed Newspaper About_ Post-digital Research. Aarhus Aarhus University.Other
Paradoxical Values of Running Code / Paradoksalne wartosci kodu
Cox, G. (2014). Paradoxical Values of Running Code / Paradoksalne wartosci kodu. in: Krajewski, P. and Kutlubasis-Krajewska, V. (ed.) Pioneering Values WRO Foundation for Media Art. pp. 41-113Book chapter
Occupying Public Networks
Cox, G. and Krysa, J. (2014). Occupying Public Networks. in: Mróz-Grygierowska, M. and Ekstrand, T. (ed.) Art Line Karlskrona Blekinge County Museum. pp. 182-184Book chapter
Code for-itself
Cox, G. (2014). Code for-itself. in: Jones, N. and Skinner, S. (ed.) Torque #1 Link Editions. pp. 130-140Book chapter
Post-Digital Research - Editorial
Andersen, C.U. and Cox, G. (2014). Post-Digital Research - Editorial. APRJA. 3 (1).Journal article
Not Just for Fun
Cox, G. and McLean, A. (2014). Not Just for Fun. in: Goriunova, Ol. (ed.) Fun and Software: Exploring Pleasure, Pain and Paradox in Computing London Bloomsbury Academic. pp. 157-173Book chapter
01.01.CM: Collection of Museum of Ordure
Cox, G., Brisley, S. and Balcioglu, M. Cox, G. and Kokholm, M. (ed.) (2014). 01.01.CM: Collection of Museum of Ordure. Aarhus Antipyrine.Book
Prehistories of the Post-digital: or, some old problems with post-anything
Cox, Geoff (2014). Prehistories of the Post-digital: or, some old problems with post-anything. APRJA. 3 (1), pp. 71-75. https://doi.org/10.7146/aprja.v3i1.116087Journal article
Crossing media boundaries: Adaptations and new media forms of the book
Weedon, A, Miller, D, Pires Franco, C and Pearce, S (2014). Crossing media boundaries: Adaptations and new media forms of the book. Convergence: the journal of research into new media technologies. 20 (1), pp. 108 - 124 (12). https://doi.org/10.1177/1354856513515968Journal article
Ideas Series: Crowd Theory
Terrill, S (2014). Ideas Series: Crowd Theory. photoworks https://photoworks.org.uk.Journal article
Live Coding as a Model for Cultural Practice & Cultural-Epistemological Aspects of Live Coding
Cox, G. (2013). Live Coding as a Model for Cultural Practice & Cultural-Epistemological Aspects of Live Coding. Schloss Dagstuhl–Leibniz-Zentrum f"ur Informatik.Project report
Researching BWPWAP: how can we save research from itself?
Andersen, C.U., Cox, G., Bazzichelli, T., Gansing, K. and Beverungen, A. (2013). Researching BWPWAP: how can we save research from itself? A Peer-Reviewed Journal About. 2, pp. 1-2.Journal article
Speaking Code: Coding as Aesthetic and Political Expression
Cox, G. and McLean, A. (2013). Speaking Code: Coding as Aesthetic and Political Expression. Cambridge, Mass. MIT Press.Book
Disrupting Business: art and activism in times of financial crisis
Cox, G and Bazzichelli, T (2013). Disrupting Business: art and activism in times of financial crisis. New York Autonomedia.Book
Notes on 120 days of *buntu
Cox, G. (2012). Notes on 120 days of *buntu. in: Vasiliev, D. and Savicic, G. (ed.) 120 days of *buntu Beaver Press. pp. 10-11Book chapter
Alternatywy nie ma
Cox, G. (2012). Alternatywy nie ma. in: Krajewski, P. and Kutlubasis-Krajewska, Vi. (ed.) WRO 2011 Alternative Now Catalog Wroclaw WRO Foundation for Media Art.Book chapter
In/Compatible Research - Editorial
Andersen, C.U. and Cox, G. (2012). In/Compatible Research - Editorial. 1, pp. 2-2.Journal article
Introduction/Einführung
Cox, G. (2012). Introduction/Einführung. in: David Link Berlin Hatje Cantz.Book chapter
Virtual Suicide as Decisive Political Act
Cox, G. (2012). Virtual Suicide as Decisive Political Act. in: Sützl, W. and Hug, T. (ed.) Activist Media and Biopolitics Innsbruck University of Innsbruck Press. pp. 105-105Book chapter
Praxis de la programmation: reconsidérer L’esthétique do code généneratif
Cox, G., McLean, A. and Ward, A. (2011). Praxis de la programmation: reconsidérer L’esthétique do code généneratif. in: Lartigaud, D-O. (ed.) Art++ HYX Editions.Book chapter
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