There Are Other Worlds: Maternal knowledge beyond borders

Book chapter


Marchevska, E. (2022). There Are Other Worlds: Maternal knowledge beyond borders. in: Underwood-Lee, E. and Šimić, L. (ed.) Mothering Performance: Maternal Action London Routledge (Taylor & Francis Group). pp. 67-80
AuthorsMarchevska, E.
EditorsUnderwood-Lee, E. and Šimić, L.
Abstract

This chapter will elaborate on the complex Hostile Environment phenomenon in the United Kingdom and how it is a contemporary legacy of colonial privilege. Marchevska discusses migrant knowledge production and art-making as a way to not only understand, but to resist and defy the hostile political climate. The author reflects on the creative practices and intersectional, decolonial methodologies that informed her most recent practice research collaborative project “Finding Home” (2018–2021); in particular, she focuses on the work co-created with the artists d’bi young anitafrika and Mojisola Elufowoju, who are both mothers. Marchevska discusses two elements that informed the process: time and the creation of migrant-situated knowledge. This chapter asks: how we can talk about the meaning of maternal care from migrant experience of everyday caring?

Keywordsmaternal citizenship, maternal migration, global citizenship, mothering, Hostile Environment, migrant situated knowledge
Page range67-80
Year2022
Book titleMothering Performance: Maternal Action
PublisherRoutledge (Taylor & Francis Group)
File
License
File Access Level
Open
Place of publicationLondon
Edition1
ISBN9781003231073
Publication dates
Print30 Nov 2022
Publication process dates
Deposited14 Dec 2022
Digital Object Identifier (DOI)https://doi.org/10.4324/9781003231073-8
Permalink -

https://openresearch.lsbu.ac.uk/item/92039

Restricted files

File

  • 37
    total views
  • 3
    total downloads
  • 1
    views this month
  • 0
    downloads this month

Export as

Related outputs

Transformations across time and space
Marchevska, E. and Defrin, C. (2023). Transformations across time and space. Theatre, Dance and Performance Training. 14 (4), pp. 550-551. https://doi.org/10.1080/19443927.2023.2275904
Review: Avatars, Activism and Postdigital Performance: precarious intermedial identities
Marchevska, E. (2023). Review: Avatars, Activism and Postdigital Performance: precarious intermedial identities. International Journal of Performance Arts and Digital Media. 19 (2), pp. 285-287. https://doi.org/10.1080/14794713.2023.2213018
Reframing migrant narratives through arts practice
Marchevska, E. and Defin, C. (2023). Reframing migrant narratives through arts practice . Arts. 12 (2), p. 58. https://doi.org/10.3390/arts12020058
North Macedonia
Marchevska, E. (2023). North Macedonia. in: Remshardt and Mancewicz (ed.) Routledge Companion to Contemporary European Theatre and Performance Routledge (Taylor & Francis Group).
Creative acts of citizenship: Performance of activist citizenship by migrant artists
Marchevska, E. (2022). Creative acts of citizenship: Performance of activist citizenship by migrant artists. in: Czajka, A. and O'Brien, A. (ed.) Art, Migration and the Production of Democratic Citizenship Rowman & Littlefield Publishers.
Finding Home Catalogue
Marchevska, E., Defrin, C., Hussain, N., Bociurkiw, M., Mwashokera, F., Manzur, A., Leanette, C., Amir, N. and Gardner, J. (2021). Finding Home Catalogue . Toronto Ryerson University . https://doi.org/10.18744/lsbu.8y0xw
Third Nature Embodiment of borders and thinking beyond: Surviving despite capitalism
Marchevska, E. and Defrin, C. (2021). Third Nature Embodiment of borders and thinking beyond: Surviving despite capitalism. Journal of Dance & Somatic Practices. 13 (1). https://doi.org/10.1386/jdsp_00037_1
Third Nature
Marchevska, E. (2020). Third Nature.
Interview with Elena Marchevska
Marchevska, E., Šimić, L. and Underwood-Lee, E. (2020). Interview with Elena Marchevska.
Digital Bodies: Creativity and Technology in the Arts and Humanities
Marchevska, E. (2019). Digital Bodies: Creativity and Technology in the Arts and Humanities. International Journal of Performance Arts and Digital Media. pp. 375-376. https://doi.org/10.1080/14794713.2019.1667732
The Maternal in Creative Work Intergenerational Discussions on Motherhood and Art
Marchevska, E. Marchevska, E. and Walkerdine, V. (ed.) (2019). The Maternal in Creative Work Intergenerational Discussions on Motherhood and Art. London Routledge (Taylor & Francis Group).
The Personal is Political: How Polish women negotiate the price of migration
Hawkins, M. and Marchevska, E. (2018). The Personal is Political: How Polish women negotiate the price of migration.
How to talk about gender equality with a 9 year old: Performing feminist values for children
Marchevska, E (2018). How to talk about gender equality with a 9 year old: Performing feminist values for children. Performance Research: a journal of the performing arts. 23 (1), pp. 102-108. https://doi.org/10.1080/13528165.2018.1460456
The Study Room Guide on The Displaced and Privilege: Live Art in Age of Hostility
Marchevska, E (2017). The Study Room Guide on The Displaced and Privilege: Live Art in Age of Hostility. London Live Art Development Agency.
Belonging and absence: resisting the division
Marchevska, E (2017). Belonging and absence: resisting the division. in: Rudakoff, J (ed.) Performing Exile: Foreign Bodies Intellect.
Living in a Terminal
Marchevska, E (2016). Living in a Terminal. in: Santamaria, N (ed.) De fronteres i arts escèniques Lleida, Spain Punctum. pp. 307-317
Performing the Present, Saving the Future: Digital Media Presence in the Work of Raspeani Skopjani
Marchevska, E (2017). Performing the Present, Saving the Future: Digital Media Presence in the Work of Raspeani Skopjani. Contemporary Theatre Review. 27 (2), pp. 391-397. https://doi.org/10.1080/10486801.2017.1343240
Fluidity and friendship: the choir that surprised the city
Marchevska, E (2017). Fluidity and friendship: the choir that surprised the city. Contemporary Theatre Review. 27 (3).
Crossing of Hostile Borders
Marchevska, E (2017). Crossing of Hostile Borders. in: Migrations: Literary and Linguistic Aspects. Cambridge Peter Lang.
Solidarity and self-organisation as generators of change: The role of self-organised art initiatives in Macedonia
Marchevska, E (2015). Solidarity and self-organisation as generators of change: The role of self-organised art initiatives in Macedonia. Open Engagement [blog].
Borders with/in the mother
Marchevska, E (2016). Borders with/in the mother. M/other Voices. 2016.
The Place where We were Last Together: Encountering the Border from Within
Marchevska, E (2016). The Place where We were Last Together: Encountering the Border from Within. Studies in the Maternal. 8 (1), pp. 1 - 22. https://doi.org/10.16995/sim.210
Performing Inequality: Feminist performative acts as protest gestures
Marchevska, E (2016). Performing Inequality: Feminist performative acts as protest gestures. Journal of Arts and Communities. 8 (1-2). https://doi.org/10.1386/jaac.8.1-2.107_1
Performing Everyday Maternal Practice: Activist Structures in Creative Work [Editorial]
Marchevska, E and Walkerdine, V (2016). Performing Everyday Maternal Practice: Activist Structures in Creative Work [Editorial]. Studies in the Maternal. 8 (2), pp. 1-4. https://doi.org/10.16995/sim.236
Performing everyday maternal practice: Activist structures in creative work
Marchevska, E (2016). Performing everyday maternal practice: Activist structures in creative work. Studies in the Maternal. 8 (2), pp. 1-14. https://doi.org/10.16995/sim.235
Technologies of Change: Body Coded in Motion
Marchevska, E (2010). Technologies of Change: Body Coded in Motion. eSharp.