Borderlands: Dub Techno’s Hauntological Politics of Acoustic Ecology

Journal article


Kolioulis, A (2015). Borderlands: Dub Techno’s Hauntological Politics of Acoustic Ecology. Dancecult. 7 (2), pp. 64-85.
AuthorsKolioulis, A
Abstract

This article explores the aesthetic, social and economic relationships between dub techno and urban space. Sketching out the neoliberal economic transition from the post-war economy to a post-Fordist society, this article lingers on dub/techno trends from four cities: Kingston, London, Detroit and Berlin. An archaeology of dub techno is reconstructed into four parts, each highlighting an affective relation, or “sound map”, between music and neoliberal economic production. Starting with the hauntological melancholia of London-based Burial’s music, this article traces the history and sonic networks of the dub techno diaspora, from Detroit techno’s city of urban decay to Berlin’s divided city. Finally, dub techno is narrated through a “borderland” mapped sonically between Detroit and Berlin, suggesting a futuristic politics of dub techno’s acoustic ecology.

Year2015
JournalDancecult
Journal citation7 (2), pp. 64-85
ISSN1947-5403
Digital Object Identifier (DOI)doi:10.12801/1947-5403.2015.07.02.04
Publication dates
Print01 Nov 2015
Publication process dates
Deposited04 Mar 2019
Accepted01 Oct 2015
Publisher's version
License
CC BY 4.0
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https://openresearch.lsbu.ac.uk/item/875v6

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