L’interprète au sein du dispositif technologique : une humanité augmentée
Book chapter
Pastor, E (2018). L’interprète au sein du dispositif technologique : une humanité augmentée. in: Pluta, I, Dacheux, M, Guay, H, Hagemann, S and Pastor, E (ed.) Scène (post)numériqueAnthologie critique d’écrits et d’entretiens d’artistes / (Post)Digital StageCritical anthology of artists’ statements and interviews Rennes Presses Universitaires de Rennes.
| Authors | Pastor, E |
|---|---|
| Editors | Pluta, I, Dacheux, M, Guay, H, Hagemann, S and Pastor, E |
| Abstract | This chapter is an introduction to one of the sections of the Anthology, dedicated to exploring the relationship between performers and digital technologies on stage. The chapter provides a brief historical overview as well as theoretical elements to contextualise the role of the performer in these forms of contemporary practice. |
| Keywords | liveness; performer; presence; cyborg theatre; human; robots; phenomenology; screens; mediation; corporality |
| Year | 2018 |
| Book title | Scène (post)numériqueAnthologie critique d’écrits et d’entretiens d’artistes / (Post)Digital StageCritical anthology of artists’ statements and interviews |
| Publisher | Presses Universitaires de Rennes |
| Place of publication | Rennes |
| Edition | 1 |
| Publication dates | |
| 28 Apr 2022 | |
| Publication process dates | |
| Deposited | 27 Apr 2019 |
| Accepted | 29 Nov 2018 |
| Accepted author manuscript | License |
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