Professor Andrew Dewdney


NameProfessor Andrew Dewdney
Job titleProfessor of Educational Development
Organisational UnitCreative Technologies
ORCIDhttps://orcid.org/0000-0003-0852-248X

Research outputs

Affordances of the Networked Image

Cox, G., Dewdney, A., Dekker, A. and Sluis, K. (2021). Affordances of the Networked Image. The Nordic Journal of Aesthetics. 30 (61-62), pp. 40-45.

The distributed museum: the flight of cultural authority and the multiple times and spaces of the art museum.

Dewdney, A (2019). The distributed museum: the flight of cultural authority and the multiple times and spaces of the art museum. in: Lewi, H, Smith, W, Cooke, S and von Lehn, D (ed.) International Handbook in New Digital Practices in Galleries, Libraries Archives, Museums and Heritage Sites New York Routledge.

Photography Remoulded

Dewdney, A (2018). Photography Remoulded. New Formations: A Journal of Culture, Theory, Politics. 94, pp. 166-170.

What Is the current fascination with VR on the part of museums and art galleries?

Dewdney, A (2018). What Is the current fascination with VR on the part of museums and art galleries? Contemporary Art Society Annual Conference: The Virtual in Museums: Hot Medium?. National Gallery, London 10 May 2018

Art museum knowledge and the crisis of representation

Dewdney, A (2017). Art museum knowledge and the crisis of representation. in: Morsch, C and Schade, S (ed.) Representing Art Education: On the Representation of Pedagogical Work in the Art Field Vienna Zaglossus, Verlag.

Temporal Conflicts and the Purification of Hybrids in the 21st Century Art Museum: Tate, a Case in Point.

Dewdney, A and Walsh, V (2017). Temporal Conflicts and the Purification of Hybrids in the 21st Century Art Museum: Tate, a Case in Point. Stedlijk Studies. 5.

Co-creating in the Networks: A Reply to “What is 21st Century Photography?” [Internet Publication]

Dewdney, A (2017). Co-creating in the Networks: A Reply to “What is 21st Century Photography?” [Internet Publication]. The Photographers' Gallery.

Museums, Scholarly Enterprise and Global Assemblages: A Response to ‘Artifacts and Allegiances: How Museums Put the Nation and the World on Display’

Dewdney, A (2016). Museums, Scholarly Enterprise and Global Assemblages: A Response to ‘Artifacts and Allegiances: How Museums Put the Nation and the World on Display’. Identities: Global Studies in Culture and Power. 24 (1), pp. 6-12. https://doi.org/10.1080/1070289X.2016.1260021

The University of YouTube: the medium, the user, photography and the search for really useful knowledge. [Internet Publication]

Dewdney, A (2016). The University of YouTube: the medium, the user, photography and the search for really useful knowledge. [Internet Publication]. The Photographers' Gallery.

Modelling Cultural Value within New Media Cultures and Networked Participation

Walsh, V, Dewdney, A, Pringle, E, Tate, AHRC and LSBU (2014). Modelling Cultural Value within New Media Cultures and Networked Participation. Tate Royal College of Art/AHRC/Tate.

Curating the Photographic Image in Networked Culture

Dewdney, A (2014). Curating the Photographic Image in Networked Culture. Kraesj! Brytninger i fotoarkivet. Oslo, Norway 05 - 06 May 2014 Olso, Norway Kulturradet (Arts Council Norway).
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